Saat Hindustani (1969)

Last week I watched Shichi-nin No Samurai. Earlier this week, The Magnificent Seven (which was based on Shichi-nin No Samurai). So, logical progression? Next in line ought to be a film based on The Magnificent Seven. Saat Hindustani. Going by the law of averages (or should that be the law of diminishing merit?), I guess I shouldn’t have held out much hope for this one. Shichi-nin No Samurai is far superior to The Magnificent Seven, and The Magnificent Seven is light years ahead of Saat Hindustani.

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Akeli Mat Jaiyo (1963)

Akeli Mat Jaiyo (‘Don’t Go Alone’—specifically addressed to a female) is, if nothing else, very aptly titled. Because if you gallivant where you’re not supposed to, you run the risk of being pursued by a moron whose best friend is a ventriloquist’s dummy. You may end up betrothed to somebody whose family includes a father with a loony sense of humour. Worst of all, you may have to stake your all on saving the ‘life’ of that ventriloquist’s dummy. So yes, akeli mat jaiyo. No way.

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