Who, in case you’re curious, include Dharmendra, Kishore Kumar, Nasir Hussain, Kumkum, Hari Shivdasani, Rehman, Asit Sen, Azra, and Aruna Irani, besides Telugu star Savitri. With, in smaller roles, everybody from Tuntun, Brahm Bhardwaj, Mridula Rani, Manorama and Jankidas, to child star Master Shahid. [All that was missing was wonder dog Tommy]. Continue reading
The buy-a-film-because-of-a-song bug bites again. I’ve had this happen to me umpteen times, and the symptoms are invariably the same: I remember hearing a lovely song (generally back in the long-ago days of my childhood), and I think, if the music is so fabulous, what must the film be like? (Yes, a nincompoop’s logic, but what the hell). Sometimes, I discover on imdb that the film has a cast I like. Very occasionally, I even find that it has a director I have great faith in.
When a film, besides starring the beautiful Mala Sinha, also includes three more of my favourite actors—Ashok Kumar, Helen and Johnny Walker—and features a deliciously romantic song, I can’t not buy.
Once upon a time, there was a writer.
No: it wasn’t Dharmendra, and it certainly wasn’t Nanda (old Hindi cinema, at least, doesn’t seem to believe women capable of writing anything more complex than a love letter, if that).
This writer was someone quite different, and one day (I’m guessing) decided that it was time to show the world what he was capable of. So, with a producer and a director, the writer went into action, and what resulted was Akashdeep. Looking at the film, I’m assuming this was somewhat of a collaborative effort. A “how about this?” and a “don’t you think it would be a good idea—?” sort of film.