Post-drenchings: Ten Songs

The monsoon has arrived here, in Delhi and around. We’d had a parched and hellish June, the heat seeming to grow more unbearable—and then, suddenly, one morning we woke to an overcast sky. Grey clouds looming, and soon, rain. Except in my childhood (when I remember going out in the rain to play, with the express purpose of getting thoroughly soaked), I’ve never really liked getting wet in the rain. Come the monsoon, I don’t venture out without an umbrella. In our car, we always have an umbrella or two to spare (our latest acquisition in that department is a golf umbrella, large enough to accommodate two adults). If I should by some chance get caught in the rain—a rare chance, indeed, given the precautions I take—I will bolt for the nearest shelter, even if it consists of six inches of overhang.

The last thing that occurs to me is to sing.

Not so in Hindi cinema, where getting wet (almost always in pouring, roaring thunderstorms that come out of a clear blue sky) is invariably a precursor to bursting into song. For various reasons.

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Ten of my favourite Roshan songs

Sometime last month, I discovered that one of my favourite music directors would have celebrated his birthday centenary this year. Born Roshanlal Nagrath on July 14, 1917, in Gujranwala (now in Pakistan), Roshan played the esraj for All India Radio, Delhi for about 10 years (during which he also composed music for various programmes) before moving to Bombay to try his luck in the world of cinema. Roshan’s career as a music director took off fairly soon afterwards, with the resounding success of the score of Baawre Nain (1950); he went on to compose music for over 50 films until his death in 1967.

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