To say that I am fond of Sachin Dev Burman is to put it mildly. Along with OP Nayyar, SD Burman was one of the first music directors I heard of—thanks to my father, who is a devoted fan of the music of these two very different composers. It was my father who, when I was still a pre-teen, first drew my attention to the beauty of Thandi hawaayein lehraake aayein, Hum bekhudi mein tumko pukaare chale gaye, O re maajhi, Dekhi zamaane ki yaari, Yeh mahalon yeh takhton yeh taajon ki duniya, and dozens of other songs, each more wonderful than the last.
That love for SD Burman has, instead of abating, increased over the years. With that love has arisen a deep admiration for the sheer versatility and genius of this man, without whom the face (or should that be ‘sound’?) of Hindi film music might have been very different. And much, much the poorer.
Not a surprise, then, that I should get so excited when I discovered that a biography of SD Burman had been published: Sathya Saran’s Sun Mere Bandhu Re: The Musical Journey of SD Burman (Harper Collins Publishers India, P-ISBN: 978-93-5029-849-7, E-ISBN: 978-93-5029-850-3, Rs 499, 258 pages). I had read about and heard various anecdotes about SD Burman over the years: that he was a prince of Tripura, of his love for paan and football, and how he skilfully drew inspiration from just about every type of music: Baul, Bhatiali, Rabindra Sangeet… to actually read a biography of the man himself was something I looked forward to with great anticipation.