Yes, this post is four months late: Kaifi Azmi’s birth centenary was on January 14th this year. I will not make excuses about why I missed that date. Let me just say that I didn’t know about it until the 14th itself, and by then, it was too late. I cursed myself for having forgotten that 2019 marked the birth centenary year of one of Hindi cinema’s finest lyricists. But today is the death anniversary of Azmi Sahib, and in any case, all of this year is his birth centenary, so I thought better late than never.
Tag Archives: Hai kali-kali ke labh par
Ten of my favourite ‘Man Sings, Woman Dances’ songs
Sometime back, I was watching Dil Hi Toh Hai, and for the first time, actually paid attention to the scenario and picturization of the classic Laaga chunari mein daag. Raj Kapoor, in disguise, plays a classical singer who prides himself on singing such complex tunes that no accompanying dancer can match him. That sparked off a memory: the situation in Madhuban mein Radhika naache re is similar—it’s a faceoff between a singer (a man) and a dancer (a woman).
And that led to memories of other songs, all with a similar setting: a man singing, a woman dancing. A good enough theme for a post, I thought—especially as I could think of some superb songs that would fit right in. I only had to set down some rules for myself, and these (besides my usual one of including only songs from pre-70s films that I’ve seen) would be that in each of these songs, the man shouldn’t dance, and the woman shouldn’t sing.
Also, the man must be physically present in the picturization of the song (which is why the popular Tu hai mera prem devtaa doesn’t feature in this list, even though I like it).