Yes, this post is four months late: Kaifi Azmi’s birth centenary was on January 14th this year. I will not make excuses about why I missed that date. Let me just say that I didn’t know about it until the 14th itself, and by then, it was too late. I cursed myself for having forgotten that 2019 marked the birth centenary year of one of Hindi cinema’s finest lyricists. But today is the death anniversary of Azmi Sahib, and in any case, all of this year is his birth centenary, so I thought better late than never.
Happy World Book Day!
For a bibliophile like me, this is a very special day, because it celebrates books. I can’t imagine life without books (I read an average of about 80-90 books every year, and would probably read double that number if I didn’t watch films or Korean dramas). I love reading, I thrive on reading, I get restless if I don’t have something to read.
So, in celebration of books, a post on people with books in Hindi cinema. More specifically, about ten scenes in Hindi cinema where a character is shown with a book.
Not too long back, I went on a trip to Kasauli, in Himachal Pradesh. It was a brief, pleasant little jaunt, and on the way back, I suggested that we stop—since it was on the way, in any case—at Pinjore Gardens. Later, back home and settled in, I posted some photos and wrote about the Pinjore Gardens on Facebook, and the post prompted fellow blogger Ava to remind me that several songs had actually been shot in the Pinjore Gardens.
That led me to think: it’s not just the Pinjore Gardens, but several other well-known gardens, that have been the settings for various songs. Some gardens—the ones in Kashmir, notably—are almost instantly recognizable, thanks to those distinct mountains and the towering chinar trees. Others are a little less obvious, but they are, too, quite obviously not just a set, not just a well-aimed, well-timed shot of flowerbeds in spring.
Here, then, are ten songs that have been picturized in well-known gardens. To make the challenge less of a sitter for myself, I added one rule: no two songs should be shot in the same garden. As always, these are all from pre-70s films that I’ve seen, and are listed in no particular order.
This post has been in the pipeline for a while. I had been thinking about compiling a list of philosophical songs from classic Hindi cinema, and blog reader Kamini Dey’s request for a post with that theme served to spur me on. I got distracted midway, and decided to do a cynical songs post, but here it is, finally: a list of ten philosophical songs from old Hindi cinema that I especially like.
Happy birthday, Dharmendra!
Considering I am so fond of Dharmendra (and I’ve reviewed so many of his films—including his debut film, the forgettable Dil Bhi Tera Hum Bhi Tere), it seems odd that I’ve never created a list of my favourite Dharmendra songs. Even though he did have a lot of good songs picturised on him. And he acted in some excellent films.
Born on December 8, 1935, in Sahnewal (Punjab), Dharmendra arrived in Bombay after winning the Filmfare New Talent Award. His first films weren’t huge successes: Dil Bhi Tera Hum Bhi Tere, Shola aur Shabnam, and Boyfriend were all flops, despite (in the case of Boyfriend) having an otherwise very popular lead pair. Within a couple of years, though, by appearing in hits like Anpadh and Bandini (in both of which, though, he didn’t have very major roles), Dharmendra began to be a known face—and was soon, by the mid-60s, one of Hindi cinema’s hottest (literally). He was to go on to become the ‘Garam Dharam’ of the 70s, but to me, the Dharmendra is the 60s hero: the quiet, sensitive poet of Anupama; the idealist of Satyakam; the dashing spy of Aankhen.
Some time back, I received a request from a blog reader and long-ago professor of mine: would I do a post on songs sung at pianos? Hindi cinema, back in the good old days, invariably had a song at a piano per film, often more. I had to inform my ex-prof: I had already compiled, some time back, a post on piano songs: specifically, women pianists. But this gave me an idea: how about a post on male pianists? After all, there has been no shortage of songs picturised on men sitting at pianos.
Continuing with my plan to link every post to the previous one… well, what next? (Harvey: you were close when it came to guessing!)
My last post, North-West Frontier, was set mostly in a train – and that too a train in the Indian subcontinent. So it seemed appropriate to do a list of my favourite songs set in what seems to have been one of Hindi cinema’s much-loved settings. From this lovely old song by Pankaj Mullick (thank you, AK, for introducing me to that), to newer songs – from Teri hai zameen teri aasmaan, to the much later Chhaiya chhaiya.
But: I’m restricting myself to pre-70s songs, and those too from films I’ve seen. What’s more, these are songs where the person on whom the song is picturised is on the train throughout the song. That’s why, no Mere sapnon ki raani kab aayegi tu (for me, that’s a jeep song; I’ll do it in another post) and no Jab pyaar kisi se hota hai.
A little over a month ago, when I reviewed Humraaz, one thing (among the many) that I liked about the film was the music, one of the few soundtracks dominated by Mahendra Kapoor. Praise for Mahendra Kapoor drew mixed reactions: he’s underrated, he shouts, he’s good only for Punjabi songs, he’s versatile… therefore, this post, on Mr Kapoor’s birthday, to celebrate one of Hindi cinema’s uncelebrated singers. Born on January 9th, 1934, Mahendra Kapoor recorded (supposedly) more than 25,000 songs and is believed to be the first Indian singer to have recorded a song in English.
Anyway, without further ado, my top ten list of Mahendra Kapoor’s songs. All from 50’s and 60’s films that I’ve seen, and (to make it a little more interesting for myself) no two songs from the same film. These are in no particular order.