Moon Songs, Part 2: Adjectives for the Moon

When, to commemorate the fiftieth anniversary of the moon landing, I posted my list of songs addressed to the moon, I ended with a caveat: that was not the only post. There would be more. Because the moon is so popular a motif in Hindi film song lyrics, it’s not surprising that it is dragged into songs about the night (which, of course, is almost synonymous with romance); about the beloved (whose beauty is compared to that of the moon); and even about someone much-loved, not necessarily a love interest.

But there are also plenty of songs which are about the moon. Yellow, lost, crazed with love, wan, lonely: the metaphors applied to the moon are a dime a dozen.

Therefore, this list: ten songs that contain an adjective for the moon. Besides my usual restriction—that the song should be from a pre-1970s Hindi film that I’ve seen—I’ve imposed one more restriction: that the adjective for the moon must occur in the first two lines of the song.

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Ten Situations, Two Heroes, Twenty Songs

Caution: Long post!

It’s been a while now, but last year this blog hosted a Classic Bollywood Quiz. The prize for the runner-up was the chance to dictate a post: a theme for a list, for example.

Our runner-up, Anu Warrier, like me, likes both Shammi Kapoor and Dev Anand a lot. So, when we were discussing how both Dev Anand and Shammi Kapoor had acted in some similar films, Anu submitted her request for her prize post. Ten similar situations in which these two heroes find themselves in their films, and one song, respectively, that they sing in that situation. Easy? No, it wasn’t, as you can see from the fact that it’s taken me a long time to compile this list. But fun? Oh, yes!

So, Anu: here you go. Two of our favourite leading men in ten similar situations, and twenty songs that arise out of those situations. Enjoy! All of these are from 50s and 60s films that I’ve seen. And, no two songs from the same film.

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Ten of my favourite Madhubala songs

The Hallmark Group recently introduced a limited edition of gold-plated silver ingots representing 25 historic stamps of India. Issued under the authority of India Post, it’s called the Pride of India Collection. The stamps replicated run the gamut of concepts, events and people dear to India: Rabindranath Tagore, kathakali, the Taj Mahal, cricket—and more. And with Bollywood so close to the hearts of so many millions of Indians, there had to be a film star featured: and they couldn’t have chosen better.

Pride of India Collection - Madhubala ingot

[Personally, I think the stamp (released in March 2008) does Madhubala justice; the ingot doesn’t. She looks as if, as P G Wodehouse would put it, she’d been bingeing on starchy foods. The eyes are puffy; the smile is off; and she has a double chin. No, I wouldn’t pay Rs 6,000 for this.]

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Jaali Note (1960)

Having watched countless Hindi films, I’ve reached the conclusion that the bulk of 50’s and 60’s cinema wouldn’t have been possible without a few stock plot elements. One of these is Divine Intervention (DI); another’s the Mysterious Motive (MM); and yet another—a popular one, this—is Just For A Song (JFAS), when the whole point of a plot element is to bring in a song.

Shakti Samanta’s Jaali Note is replete with DI, MM and JFAS. I don’t really mind this in films, as long as there’s more. Unfortunately, this is where Jaali Note falls flat on its face; there is almost nothing else. Madhubala, looking lovely, and Dev Anand disguised in a thin moustache, but that’s it.

Dev Anand and Madhubala in Jaali Note

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