Main Chup Nahin Rahoongi: Ten ‘Outspoken Woman’ Songs

This post had been written up before the violence referred to in my previous post had occurred. Back then, Shaheen Bagh—and similar women-dominated anti-CAA/NRC/NPR protests across India, all inspired by Shaheen Bagh—had been foremost in my mind). Though the violence in Delhi, and now Coronavirus, seem to have pushed Shaheen Bagh to the back burner, it seemed to me a still appropriate post for Women’s Day.

The escalating lawlessness and intolerance has been a matter of grave concern over the past few years. Every act, every statement that questions the establishment, no matter how logically or innocuously, seems to be an invitation to more violence. It takes courage to even speak up now.

This is why the women of Shaheen Bagh (and, by extension, their sisters in other parts of the country) who have been sitting in peaceful protest to push for love and harmony have my vote. These are women who may have been ‘mere housewives’ earlier, but have come out of their homes to speak up against what is wrong. They are an inspiration, a now-potent symbol of how powerful women can be if they speak up. They can draw others to their cause (as the women of Shaheen Bagh have done); they can inspire others; they can frighten bullies.

So, in admiring tribute to the brave women of Shaheen Bagh—and women everywhere, from Greta Thunberg to Rosa Parkes—who dare to go against the establishment: a list of ten songs featuring women showing they won’t sit back and be docile doormats. Women who speak up, who question the status quo, who dare to go where others fear to venture. Eventually, too, filmi females who dare to sign of freedom, who don’t meekly knuckle down and sing bhajans or romantic songs or lullabies (which, I discovered when I got deep into researching this post, seem to be the most obvious choice of songs sung by onscreen females. The men, overwhelmingly, are the ones who spout philosophy or sing cynical songs, or tell the world to go take a walk). Women who assert their individuality.

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Ten of my favourite Naushad Songs

Happy Christmas!

Today marks the birthday of Jesus Christ, but also of a man who was pretty much regarded as little less than a god by thousands of music lovers in India between the 40s and the 60s. The one and only Naushad Ali, who was born on Christmas Day, 1919.

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Book Review: Anil Zankar’s ‘Mughal-e-Azam: Legend as Epic’

In the nearly ten years this blog has been in existence, I’ve reviewed hundreds of films. Including many, many Hindi films. Some have been big hits, others so obscure that even fairly faithful followers of my blog, seeing the name of the film in their RSS feed, have probably decided my review didn’t even merit a visit.

But there are also the (to some) glaring omissions. Every now and then, someone wonders why I’ve never got around to reviewing some of the most iconic Hindi films of the pre-70s period. Mother India. Guide. Pyaasa. Devdas. To them I say that I fear I will not have anything to say that somebody or the other hasn’t already said, and probably in a far better and more informed way than I could.

Among the films about which I’m asked, again and again, is Mughal-e-Azam.

This one is a somewhat more puzzling omission from my list of reviews, given that I am deeply interested in Mughal history, I am very fond of Madhubala, and that the film really does have near-cult status. So much so that it was even the first full-length film anywhere in the world to be digitally coloured for a theatrical re-release (in 2004). But what would be the point of me writing about Mughal-e-Azam? Almost anybody who’d be interested enough in the film to read my review of it would almost certainly have already seen the film, and chances are, would know not just the story, but would have decided and definite views about much of the rest of the film, too: the characters, the songs, the dialogue, the historicity (or lack of it).

All of this, too, was in my mind when I began reading Anil Zankar’s Mughal-e-Azam: Legend as Epic (Harper Collins Publishers India, 2013; 200 pages; Rs 250). I was intrigued: what would Zankar have to say about a film so well-known?

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Ten of my favourite ‘imprisoned singer’ songs

No, this song list isn’t the result of a dear relative landing up in jail or anything of the sort. It just popped into my head one day when I was looking up a song on Youtube and saw Lapak-jhapak in the side panel. It occurred to me: Hindi cinema has its fair share of people who are in prison, at times in really dire straits (not the case with Lapak-jhapak, where David’s character is really quite comfortable), but still being able to summon up the energy to sing. As a character writes in Alice Walker’s The Color Purple, Why do tired people sing?… Too tired to do anything else. Maybe that’s the case with film characters in prison: lots of time on their hands and too depressed to do anything else.

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Ten of my favourite female duets

Hindi cinema has seesawed wildly when it comes to the depiction of women: on the one hand we’ve had films that glorify womanhood (even if it’s long-suffering, almost-always patient womanhood, as in Mother India); on the other, we’ve had appalling stuff like Suhaagan, which made no bones about telling women exactly where their loyalties lie.

But let’s lay aside the filmi angst and sacrifice for the time being, and celebrate International Women’s Day—with a list of female duets. While bromances have been so very popular with film makers, it seems rather surprising that the number of songs in which two men get together are relatively few. But put two (or, even better, more) women together, and—hey, presto—they burst into song.

Sai and Subbluaxmi in Aplam chaplam chaplai re

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Ten of my favourite filmi qawwalis

I have been meaning to write this post for a long time now—I love qawwalis—but I’ve kept putting it off, because I’ve always thought that it would be impossible to create a list of just ten filmi qawwalis that are my favourites. (Barsaat ki Raat itself features at least three qawwalis that completely bowl me over).

But. I’ve finally decided to take up the challenge, and do it. These are ten fabulous qawwalis from pre-70s films that I’ve seen (though I must confess that I like the qawwalis of some 70s films—especially Rishi Kapoor ones). To make this post a little more challenging, I decided not to include more than one qawwali per film.

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Crime and the Hindi film song: Ten examples

I attended an interesting Conference on Crime Fiction at St Stephen’s College, Delhi University, last month (for more on that, click here). During a couple of the less-engrossing sessions, I found my mind wandering a bit – but not too far: only to crime in cinema. And from there, to songs about crime.

Also, over the past several months, I’ve been wracking my brains over what post to dedicate to friend, blog reader, fellow-blogger and participant in the Classic Bollywood Quiz, Raja. For the other prize winners, deciding a post was fairly easy: some had requested particular posts in the past; some had voiced interests in a way that made me fairly sure of what they’d like. But Raja? I was flummoxed.

Then I remembered that Raja, besides sharing my love for old Hindi cinema (and its songs), also has a fantastic sense of humour. And a strong sense of justice, of what’s right and what’s not. This post, therefore, is dedicated to you, Raja. I hope you enjoy it.

Here it is, then: a list of ten film songs – as always, mostly from pre-70s films that I’ve seen – that talk about crime. To leave no room for doubt, they’re all actions that are illegal under the Indian Penal Code (or Acts of Parliament). And yes – no crimes are repetitions.

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Ten of my favourite Madhubala songs

The Hallmark Group recently introduced a limited edition of gold-plated silver ingots representing 25 historic stamps of India. Issued under the authority of India Post, it’s called the Pride of India Collection. The stamps replicated run the gamut of concepts, events and people dear to India: Rabindranath Tagore, kathakali, the Taj Mahal, cricket—and more. And with Bollywood so close to the hearts of so many millions of Indians, there had to be a film star featured: and they couldn’t have chosen better.

Pride of India Collection - Madhubala ingot

[Personally, I think the stamp (released in March 2008) does Madhubala justice; the ingot doesn’t. She looks as if, as P G Wodehouse would put it, she’d been bingeing on starchy foods. The eyes are puffy; the smile is off; and she has a double chin. No, I wouldn’t pay Rs 6,000 for this.]

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