Some weeks back, I was reading AJ Finn’s psychological thriller The Woman in the Window, in which the protagonist is addicted to old cinema—especially noir and suspense films. I ended up not liking the book much, but at least I got one good thing out of my reading of it: some recommendations. Including recommendations for films that seem as if they were made by Alfred Hitchcock (who, I should explain, is one of my favourite directors), but weren’t.
Of those, one that immediately caught my attention was Niagara, directed by Henry Hathaway. I had heard of this film before—most memorably on IMDB, where I’d seen its poster and read a brief synopsis about a honeymoon couple running into another couple with marital problems. The poster, with a sultry Marilyn Monroe in a hot pink dress, coupled with that description of the film, didn’t conjure up an image of a Hitchcockian film.
Alfred Hitchcock is, for me, the cinematic equivalent of writers like PG Wodehouse or Georgette Heyer or Agatha Christie: I see their names on a work, and I know that this is something I can read (or watch, in Hitchcock’s case) and almost certainly not end up finding it a waste of time. The other day, trawling Youtube for something to watch, I came across Under Capricorn. I had heard of this one before, but besides being aware that it had been directed by Hitchcock, I knew nothing of the film. A good opportunity to watch a Hitch film I hadn’t seen.
This story begins in an unusual location (for Hollywood, that is): below the Tropic of Capricorn, in Australia. Set in 1831, Under Capricorn begins one day in Sydney, where the new Governor (Cecil Parker) of New South Wales, having just arrived on the continent from Ireland, is addressing the people. His welcome, while all gleaming brass and starched uniforms on the official side, is lukewarm when it comes to the general public. They aren’t especially impressed.
It’s been a while since I did a Christmas post—therefore, this time round, I decided it was time to mark this festive season with a Christmas special. Not It’s A Wonderful Life or one of those other famous Christmas films, but a little-known one that manages to retain all the sweetness and charm of Christmas, but gives it dark undertones. I’ll Be Seeing You is about Christmas, but it’s also about the demons that haunt people; about pasts and futures; about healing and forgiveness.
It’s a coincidence that memsaab reviewed Woh Kaun Thi? just after I’d seen Gaslight and decided to review it. The films are worlds apart (and yes, Raj Khosla fan though I am, I must acknowledge that George Cukor is better at this!) There is, however, an interesting similarity: a central character who seems to be steadily going insane.
That said, this is a great film, very watchable and with the beautiful Ingrid Bergman in a superb, Oscar-winning performance.