Tag Archives: Judy Holliday

It Should Happen to You (1954)

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Years ago, while going through Dean Martin’s filmography (I went through a phase of being obsessed with his work), I stumbled upon Bells Are Ringing. I saw it for Dean, and while I liked him in it, I was bowled over by his co-star, Judy Holliday. Why hadn’t I even heard of her before? Why hadn’t anyone told me about her? How come she isn’t better-known?

Since then, whenever I’ve heard of a Judy Holliday film, I’ve hurried off to see if it’s available online. This is the latest: a delightful rom-com, starring Judy Holliday opposite Jack Lemmon in his first big role, about a young woman who wants to make a name for herself. Literally.

The story begins in New York’s Central Park, where Gladys Glover (Judy Holliday) is wandering around, in her stockinged feet, tossing peanuts to pigeons. She sits down next to some random man and because he’s irritable and passes snide remarks about her feeding the pigeons, walking barefoot, etc, Gladys snaps back at him, giving as good as she gets.

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Bells are Ringing (1960)

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I so, so adore this film.

And that, mind you, keeping in mind the fact that I generally don’t think very highly of Hollywood musicals. I have nothing against the music, usually—most of the films had excellent songs—but what really gets my goat is that other than sounding and looking good, few of Hollywood’s musicals have anything substantial to back them up. Look at Oklahoma! or South Pacific (or even Singin’ in the Rain, for that matter): great music, nice looking leads, superb dancing—and that’s it. I can count, on my fingers, musicals that also have worthwhile plots. The Sound of Music. Fiddler on the Roof. And this, a gloriously funny and romantic story about a loony telephone operator and the man she falls in love with.

Dean Martin and Judy Holliday in Bells are Ringing

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