Several weeks back, a two-day festival called Dilli ka Apna Utsav was organised in Delhi. As part of the festivities was a heritage walk led by my sister, Swapna Liddle. This walk took us to buildings and landmarks associated with the poetry spawned in Delhi: famous venues for mushairas (like the Ghaziuddin Madarsa and the Haveli Razi-un-Nissa Begum), or places which were once residences, even if only briefly, of famous poets (Ahaat Kaale Sahib, Zeenat Mahal, Ghalib’s Haveli).
What connection does all of this have to Hindi cinema? Just that it got me thinking of the links between Hindi film songs and classic poets. I can’t think of too many classic poets (except Mirza Ghalib and Meera Bai) who have been made the central characters of Hindi films, but the works of famous poets crop up every now and then in Hindi film songs. Sometimes in their entirety, and very well-known, too (as in most of the songs of the Bharat Bhushan-starrer Mirza Ghalib).
Rewatching this film after donkey’s years, I was struck by the similarity in basics with How to Marry a Millionaire. Here too are three beautiful girls, each of whom falls in love with a man she meets—but doesn’t realise is not quite the sort of man she’d hoped to end up marrying.
That’s where the resemblance ends. Our girls, like good bharatiya naaris, aren’t mercenary gold-diggers. Which, of course, is good news for the three men whom they fall for, since their heroes aren’t exactly rolling in wealth either.