Ten of my favourite Khwaab/Sapna songs

Some months back, I was listening to a music programme on the radio, and heard a song I hadn’t heard for ages: the title song from Dreamgirl. Once upon a time, a six- or seven-year old me used to love Kisi shaayar ki ghazal, not just because it sounded good, but because to me, Hema Malini, in all those frilly, frothy dresses was just—oh, gorgeous. This time, I heard the song with a warm sense of nostalgia; and it struck me that dreams have been, for a long time now, an important part of Hindi cinema. And of Hindi film songs.

For one, there are several songs which are set completely in people’s dreams. The heroine (or the hero) goes to sleep and dreams of singing a song along with the beloved. Then, there are songs which fit the very specific cinematic style known as the dream sequence: a dream which does not require anybody to be really asleep (though some of the best dream sequences in cinema history do involve people who are asleep). In a dream world, there can be little semblance to reality: special effects, grand backdrops, feats that people would not achieve in real life—all come to the fore, and are celebrated, in dream sequences. Look at Ghar aaya mera pardesi, for instance.

And then, there are the literal ‘dream songs’, songs which talk about dreams. Dreams in which the beloved features, dreams about a rosy future alongside the love of one’s life. (It’s interesting that dreams, in the context of Hindi film lyrics, almost always seem to refer to happy dreams, never nightmares. Those dreams may be shattered, but that doesn’t mean they weren’t wonderful to start with).

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Ten of my favourite jeep songs

This post has been floating about in my head for a long time—at least, ever since I did a post on car songs (in which I’d mentioned pretty clearly that I meant only cars, not jeeps). When some readers began putting in jeep songs in the comments too, I figured I had to do a jeep songs list sometime. So here it is, after a long wait.

Unlike cars, which seem to be all over the place in Hindi cinema, being driven both through the countryside and in cities, jeeps are a little less ubiquitous. And there seem to be unwritten rules about who drives them (invariably men). And, more often than not, men in the countryside—preferably a hilly countryside. There’s that perception, I suppose, of the jeep being a rugged vehicle, one suited for rough roads and steep inclines: not the sort of thing a swanky imported car in 50s or 60s cinema would be able to handle.

Jeep Songs

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