The Outrage (1964)

Rashōmon, set in the Wild West.

I hadn’t heard about this film, let alone seen it, till a few weeks back, when blog reader Hurdy Gurdy Man, commenting on my review of Rashōmon, mentioned it.

Rashōmon—and the Rashōmon Effect—fascinates me, to the extent that I will watch just about any film, read just about any book, that uses this potentially gripping style of multiple narratives. From Andha Naal to The Woman in Question: I am game for them all. So The Outrage, starring one of my favourites (Paul Newman), and in a genre for which I have a soft spot (Western) was immediately bookmarked.

 

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