I hadn’t heard about this film, let alone seen it, till a few weeks back, when blog reader Hurdy Gurdy Man, commenting on my review of Rashōmon, mentioned it.
Rashōmon—and the Rashōmon Effect—fascinates me, to the extent that I will watch just about any film, read just about any book, that uses this potentially gripping style of multiple narratives. From Andha Naal to The Woman in Question: I am game for them all. So The Outrage, starring one of my favourites (Paul Newman), and in a genre for which I have a soft spot (Western) was immediately bookmarked.
I’ve spent the past month—and more—focussing solely on Indian cinema. Time for a change, I thought.
This, therefore. Director René Clément’s Plein Soleil (literally, ‘Full Sun’, but known as Purple Noon) is a French adaptation of Patricia Highsmith’s The Talented Mr Ripley, and was the first major film of Alain Delon, who really does dominate the film. In more ways than one.
Long before TV came into our lives, a family treat would be to go out for dinner or for a film at a local cinema. And though Bobby was the first film I saw, CID was the first black and white film I remember. I don’t recall anything of the film except a very brief bit from the climax, but you can imagine how gripping that must have been to have stayed in my memory for well over thirty years.