In the years since I first began this blog in 2008, I have written many tributes to many film personalities. A few, a mere handful, saddened me enough to make me feel I had lost someone especially dear to me personally.
Never had I thought a day would come when I would need to (yes, I do need to, for my own self) write a tribute to a fellow blogger. Bollyviewer, who meant much more to me than just a fellow blogger.
(In somewhat belated tribute to the inimitable Christopher Plummer, who passed away on February 5, 2021).
This post may come as a surprise to those who are familiar with my blog, and with its chronological area of interest: Vinod Khanna, after all, debuted in a film that released in 1969, and this blog focuses on cinema from before the 1970s. His was not even, unlike Rajesh Khanna, a meteoric rise that saw one blockbuster hit after the other. No; Vinod Khanna’s star ascended relatively slowly, and he came into his own only a few years down the line. Well into the 70s, in fact.
But how could I not pay tribute to the one actor who really defines the 70s for me? Even though I most like the cinema of the 50s and 60s, the 70s too had some fine films, some fine film makers. Chupke-Chupke, Sholay, Golmaal, Blackmail, Manchali. Inkaar, Gaddaar, Amar Akbar Anthony. The Burning Train, Lahu ke Do Rang… and there was Vinod Khanna, my favourite actor of that decade.