(In somewhat belated tribute to the inimitable Christopher Plummer, who passed away on February 5, 2021).
Over the years I’ve been writing this blog, I’ve seen many films that were remakes of others—and, like pretty much every homage that’s paid to an existing work, there’s no telling what the remake will be like in comparison to the original, even when the budget, the cast and the crew of the remake would appear to make it have all the odds stacked in its favour.
Too many remakes (Ben Hur is an especially grotty example) are an embarrassing example of someone setting out to remake a landmark blockbuster, and ending up creating something utterly forgettable. At the other other end of the spectrum are films that take an established classic, make a very good version of it, but are rarely remembered—The Outrage, an exceptionally faithful copy of Kurosawa’s famous Rashōmon—is one example. There are those, like The Talented Mr Ripley (a remake of Plein Soleil), Ek Ruka Hua Faisla (a remake of Twelve Angry Men), and The Magnificent Seven (originally, Seven Samurai) which are, to some extent or the other, well-loved and accomplished works in both versions.
And there is this, an instance of a good film which few people seem to know of (at least, few English-speaking, Hollywood-watching people), but the remake of which became such a cult classic that even now, more than five decades later, little children (my daughter included) are taught songs from it in school, and the city where it was set—Salzburg—has, as some of its prime tourist attractions, the places where it was shot.
Specifically, Hindi cinema of the 50s and 60s.
This post had its genesis in a post sometime back, in which blog reader and fellow blogger Rahul commented that he tended to not watch foreign films. I decided, then, to create a list of ten foreign films that might appeal to a lover of old Hindi cinema. Then, a couple of weeks down the line, when I reviewed The Woman in Question, Rahul reminded me of that promise, asking me when I’d be posting that list of English films. There had obviously been a misunderstanding somewhere; I had meant non-English films. But it gave me an idea; why not a list of English-language films too?
After all, it’s not as if the plots and themes of Hollywood and British cinema from the Golden Years were completely alien to Indian audiences. In fact, many of them would be familiar to watchers of Hindi films: a lot of films, all the way from Chori-Chori to Kati Patang, from Yahudi to Ek Ruka Hua Faislaa, from Half Ticket to Gumnaam, are based on Hollywood films, some of them to such an extent that they are not merely adaptations but outright copies. Add to that the fact that the Hays Code, which governed Hollywood between 1922 and 1945, had fairly Puritan ideas about what was permissible and what was not, and you have cinema that was relatively ‘clean’, at least as far as what was shown onscreen. You could safely watch these without fearing that you’d suddenly stumble upon nudity, profanity, or extreme violence.