Paigham (1959)

This is a film that’s been on my radar for a while now. Dilip Kumar, Vyjyanthimala. A cast also boasting of Motilal and Johnny Walker. Some good songs. Paigham, I thought, might be worth a watch.

I will admit, though, that my heart sank a bit when I saw the opening credits and discovered that this is a Gemini Studios release. Like AVM, I now approach Gemini with trepidation: while their films often had great casts and excellent music, they were invariably just too melodramatic for my liking.

But I persevered.

Paigham begins by introducing us to Manju (Vyjyanthimala) who, along with her best friend Malti (B Saroja Devi), has just finished college: Manju at the top of her class, Malti at the bottom. Malti isn’t fazed by this; she’s a wealthy girl, her father Seth Sewakram (Motilal) a prosperous cotton mill-owner. Malti, in fact, has promised Manju that she will ask her father to give Manju (who’s done a course in shorthand and secretarial work) a job at the cotton mill, which is in a town named Rangpur.  

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Zindagi (1964)

The main reason I watched this film was because of the songs, which include some very good ones. And Vyjyanthimala, whom I invariably enjoy watching. The two male leads, Rajendra Kumar and Raj Kumar, are not favourites of mine, but they aren’t absolutely unbearable either. And there was a star cast of several other people I like, such as Prithviraj Kapoor and Helen. Ramanand Sagar, who wrote and directed Zindagi, also has to his credit one film I really like (Aankhen) and some (Aarzoo, Ghoonghat, Charas) that I don’t mind too much. I figured there might be enough here for me to enjoy.

The story begins with Beena (Vyjyanthimala) coming home to her mother (Leela Chitnis) with the news that she has found a job, finally. Ma is happy, until Beena tells her what the job is: Beena is now a theatre actress. Ma is very upset and goes into a long harangue of how it’s better to be poor than to be in the theatre; their name will be mud, blah blah.

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