Aarzoo (1965)

A couple of months back, my sister Swapna was invited to head a quiz team at a pub quiz (Jai Arjun Singh, who was also there, wrote about it here). Telling me about the quiz later, Swapna mentioned that there was one question that even Jai didn’t know. In Aarzoo, which place in Delhi does Rajendra Kumar’s character say he belongs to?

Nobody could answer that question. But the answer is Okhla Village.

… which sort of struck a chord with me, because till we shifted from Delhi to Noida, my husband and I had spent many years living very close to Okhla. And Noida, in case you weren’t aware of this, is actually an acronym for New Okhla Industrial Development Authority. Okhla follows us around. Or we refuse to really move away from Okhla.

This incident reminded me, though, that I have never reviewed Aarzoo on this blog, though I’ve watched the film at least twice. Time to amend that, I decided.

Newly-minted medical graduate Gopal (Rajendra Kumar) and his neighbour Ramesh (Feroze Khan) have been best friends since their childhood. Gopal’s younger sister Sarla (Nazima) and his widowed mother (Achla Sachdev) regard Ramesh pretty much the same as Gopal: a member of the family, a brother/son just as Gopal is.

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Zindagi (1964)

The main reason I watched this film was because of the songs, which include some very good ones. And Vyjyanthimala, whom I invariably enjoy watching. The two male leads, Rajendra Kumar and Raj Kumar, are not favourites of mine, but they aren’t absolutely unbearable either. And there was a star cast of several other people I like, such as Prithviraj Kapoor and Helen. Ramanand Sagar, who wrote and directed Zindagi, also has to his credit one film I really like (Aankhen) and some (Aarzoo, Ghoonghat, Charas) that I don’t mind too much. I figured there might be enough here for me to enjoy.

The story begins with Beena (Vyjyanthimala) coming home to her mother (Leela Chitnis) with the news that she has found a job, finally. Ma is happy, until Beena tells her what the job is: Beena is now a theatre actress. Ma is very upset and goes into a long harangue of how it’s better to be poor than to be in the theatre; their name will be mud, blah blah.

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Aankhen (1968)

I spent part of last week reading fellow blogger Todd Stadtman’s book, Funky Bollywood: The Wild World of 1970s Indian Action Cinema (more on that, along with a link to my review of it, at the end of this post). Todd’s book discusses, in affectionate detail, all the iconic action films—spy thrillers included—of the 70s. In a fit of enthusiasm, brought on by Todd’s book, I told my husband, “I want to see Gunmaster G-9”. To which he replied, “I didn’t like that. What I really liked was Aankhen. That was fun.”

Dharmendra in Aankhen Continue reading