What if you woke up one day to find that you couldn’t speak, couldn’t move, and—even worse, perhaps—had no idea who you were? And that when you set out to find out, you opened up a can of worms? That every other person you met seemed to be wanting to beat you or kill you (or ended up dead)—and you had absolutely no idea why?
Some years back, watching Hitchcock’s excellent Lifeboat, I was fascinated by John Hodiak. It was the first time I’d seen this actor, and I wanted to see more of him. After some searching, I discovered this intriguing example of film noir which starred Hodiak as the amnesiac who sets out to discover his identity—and ends up with some even more baffling answers.
My post on how similar classic Hollywood actually is to classic Bollywood omitted a popular cliché: amnesia. So, if Greer Garson’s character could fall in love with a soldier who’d lost his memory in Random Harvest, Sadhana can do so too, in Ek Musafir Ek Haseena.
Two years after they both debuted in the generally-enjoyable Love in Simla, Joy Mukherji and Sadhana acted together again in this film. It has lots to recommend it: a very beautiful lead actress (I personally think Sadhana looks her best in this film), a superb musical score by O P Nayyar, Raj Khosla’s direction—then why, at the end of two and a half hours, do I feel a sense of dissatisfaction?