Sharaarat (1959)

It might surprise some of you to know just how many films I watch. No, not new ones, but old films, in the hope that I will find something worth reviewing for this blog. Perhaps one in five of those films gets reviewed, and that because either it’s worth recommending, or conversely, it’s worth warning people off. 

A lot of the Hindi films I watch, I watch because of the music. Occasionally (Duniya Jhukti Hai, Bank Manager, Chandni Chauk) there’s just one song that has prompted my viewing of the film, and the film itself turns out to be so ho-hum that I decide there’s not much point reviewing it. I assume, you see, that most people (unlike me) are sensible enough to not waste a couple of hours watching a film just because it has one good song. 

Sometimes, though, a film has a bunch of good songs, and a cast I have great hopes of. Then, even if it ends up being a bit of a dud, I feel obliged to review the film. Because I want to tell you: steer clear; despite the cast and despite the songs, this is really not worth your while. 

Also, in the case of Sharaarat, there was the fact that this film starred Meena Kumari. And, as I’ve seen from films like Miss Mary, Tamasha, Kohinoor, Azaad, etc, Meena Kumari was very good at comedy. Here, she was paired with Kishore Kumar. I settled down, hoping for some fun. Sharaarat, after all: that sounded promising. 

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Ten of my favourite Kumkum songs

Rest in peace, Kumkum.

I was in the middle of watching a film to write a tribute to Hollywood star Olivia de Havilland, who passed away on 25th July at the age of 104, when I heard that, closer home, there had been another death. Another actress, much loved. Kumkum, of the dancing eyes and the bright smile. Kumkum who could dance up a storm in Madhuban mein Radhika naache re and be the demure heroine opposite leading men all the way from Shammi Kapoor to Rajendra Kumar to Kishore Kumar.

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