Talat Mahmood: Ten Solos, Ten Composers

Today is the birth centenary of the ‘King of the Ghazal’, the inimitable Talat Mahmood. Talat was born on February 24, 1924 in Lucknow, and it was in Lucknow itself that he obtained his initial training in music: at the Marris College of Music, where he learnt classical Hindustani music from Pandit SCR Bhatt. By the age of sixteen, Talat was singing the ghazals of Urdu’s foremost poets for All India Radio Lucknow, and was soon taken on by HMV as well. His first introduction to cinema came through the film industry in Calcutta, where he not only sang songs (under the name ‘Tapan Kumar’), but also acted in several films. In 1949, at the age of twenty-five, Talat moved to Bombay, and the rest, of course, is history: he went on to become one of Hindi cinema’s most distinctive voices, and his songs—romantic, filled with pathos, tender, soulful—still live on.

Continue reading

Ten of my favourite Aankhen songs

Not nayan, not naina, not chakshu or any other Hindustani/Hindi/Sanskrit word for eyes, but aankhen.

This post, though the immediate spur for it was Anu’s delightful list of zulfein songs, has been in the pipeline for the past several years, since a fellow writer first asked her friends (of whom I’m one) on Facebook for all the songs we could think of that were about eyes. I came up with so many that it occurred to me then that I could do a post about them. That idea stayed on the backburner for a while, but when Anu’s zulfein songs post appeared, I thought, “I have to do that one on aankhen.

Because, just as hair are praised, so are eyes. And unlike hair—inanimate, more often than not, and compared perhaps only to the dark velvet of the night, or the spreading black of a storm cloud—eyes have a life of their own. They convey infinitely more than hair ever can, from love to fear to hatred: they cannot disguise the soul, the emotions.

Beautiful eyes - Shakila in 'Mast aankhen hain ke paimaane do' from Nakli Nawab

Continue reading