This blog has been in existence ten years, and I suppose you can tell how important (or not) Valentine’s Day is over here by the fact that in all these years, I’ve dedicated a post to this day only twice—once, with a list of love songs in ten different moods, and (more recently) with a list of romantic duets.
So here we are, jumping on to the bandwagon yet again. This time, it’s a list of romantic serenades, of people singing in praise of the person they’re in love with (or, as in the case of a couple of fraudulent characters in this list, pretending to be in love with). There are serenades to others (Hindi cinema is full of serenades): to mothers and their near-divine maternalism; to the motherland and to the bond between siblings. None of these, I think, are as ubiquitous and as common as the serenade to a loved one. The praise in honour of his/her beauty, charm, sweetness, simplicity, virtues: going by the way Hindi songs serenade a love interest, you’d think the realm of Hindi cinema was crammed with utter paragons.
Hindi cinema has, over the years, borrowed liberally from English literature. Shakespeare (Hamlet, and in more recent years, Angoor, Omkara, Maqbool, and Haider), Agatha Christie (Gumnaam), Arthur Conan Doyle (Bees Saal Baad), AJ Cronin (Tere Mere Sapne): Hindi cinema seems to have drawn inspiration from a lot of authors, whether or not that inspiration has always been acknowledged or not.
Here, then, is another film derived from a literary work by a writer in the English language. Charlotte Brontë’s Jane Eyre, published in 1847, has spawned a number of cinematic adaptations (one of the first I ever saw starred Orson Welles and featured a very young Elizabeth Taylor as Helen Burns; one of my favourites stars the brilliant Toby Stephens as Rochester). In Hindi cinema, too, Jane Eyre was made into a film: Sangdil. I’ve been wanting to watch this for a while, and when recently I finally got around to reading the complete, unabridged version of Jane Eyre, I decided it was also time to watch the film.