Parineeta (1953)

Sometime during the 1990s, I pretty much stopped watching contemporary films. By then, there were a few channels on TV that regularly aired old films, and that was enough for me—in any case, I was in a job so time-consuming that I barely got time to sleep, let alone watch films. For several years, I watched a handful of films that were the current rage. As it was, the songs rarely appealed to me; I didn’t much care for a lot of the people who seemed to be the hottest stars; and some of the biggest films—or so I gathered—were action blockbusters, not really my idea of fun.

And then I watched Parineeta. The 2005 one, which marked the Hindi film debut of one of my favourite present-day actresses. It also proved a turning point for me with reference to Saif Ali Khan, whom I didn’t like before, but began to like (in some roles) after this one. It’s one of the few films in which I’ve not minded Sanjay Dutt. Plus, it has perhaps my favourite score of any film from the 2000s so far.

It wasn’t till much after I’d seen Parineeta—perhaps a few years—that I discovered that there had been an earlier Parineeta as well. Made by Bimal Roy, and starring Meena Kumari and Ashok Kumar. Just those three names in themselves are enough to make me watch a film. And a film based on a novel by Sarat Chandra, no less? I realized it was high time I watched this.

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