Fellow blogger and soul sister Anu, at Conversations Over Chai, watched Bahaar for two reasons: one, that it starred Vyjyanthimala; two, that it featured the delightful Saiyyaan dil mein aana re. As it happened (and both Anu and I agreed this was nothing new) she—as I have been, countless times—found herself a victim of the somewhat irrational logic that good music + an actor we like = good film.
But, to get down to this week’s post. A film I watched because, one, it stars Vyjyanthimala; and two, because it has great music. I had steeled myself for something pretty irritating, so perhaps the fact that I began this film with low expectations had much to do with my eventual enjoyment of it. Yasmin isn’t a masterpiece, but I still liked it, predictability and all.
I am not a one to make New Year’s resolutions; more often than not, it’s just something I silently tell myself I should attempt to do over the course of the coming year. At the start of 2014, I decided I should read more classic fiction this year—and, importantly, more fiction that wasn’t originally in English. Since the only two languages I am fluent in are English and Hindi, it meant that the only untranslated works I could read would be in either of those two languages. So, after many years (if I remember correctly, I last read a Munshi Premchand novel in school), I decided to read his landmark novel, Godaan.
…and didn’t even know, till a couple of months back, that it had been adapted into a film. When I discovered Godaan on Youtube, I bookmarked it immediately (noting, though, with trepidation, that it starred two people I’m not especially fond of: Raj Kumar and Kamini Kaushal). And I vowed to watch it as soon as possible, at least while the novel was still fresh in my mind.