Tumsa Nahin Dekha (1957)

If Rajkumar is the trademark ‘Shammi Kapoor at his peak’ film, then Tumsa Nahin Dekha is an equally – if not more – important film, because this is the one that made Shammi Kapoor into the icon he was by the mid-60s. Till Nasir Hussain got Shammi Kapoor to shave off his moustache and act as the devil-may-care hero of this film, Shammi was (as my father puts it), “Just another actor with a thin moustache and the usual roles. Nothing exceptional.” Tumsa Nahin Dekha gave him the opportunity to transform from the half-hearted, unexceptional sort-of-hero into a Shammi Kapoor who became almost an institution in himself.

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Bhai Bahen (1959)

My sister and I were discussing, with much fondness, my father’s love for classic Hindi cinema. When my parents bought a DVD player, I offered to look out for old films that I could buy for them. “Any particular favourites you’d like me to buy you?” I asked. Papa’s list included Sangdil, Daag, Anari, Ratan, Andaaz, Albela, Sone ki Chidiya and a bunch of other films—all of them selected mainly because they had superb music.

And I am very much my Papa’s daughter. It takes just one good song for me to rent a film (I may not go so far as to buy it, though). I’ve done it with Akashdeep, and I’ve done it again with Bhai Bahen. Here, fortunately, I was a little luckier. Even though the best thing about it is the lovely Saare jahaan se achha, Bhai Bahen is, overall, an interesting and rather offbeat little film.

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Dillagi (1966)

This was what I call a ‘shot in the dark’ film—I noticed it on Induna and decided I’d give it a try, even though I hadn’t heard of it before. The decision was arbitrary, and mainly because the picture of the DVD cover appealed to me. I should probably have had a look at the plot summary on imdb but I didn’t, and ended up with a film that I actually rather liked, even apart from the fact that the lead pair looked yum.

Sanjay Khan and Mala Sinha in Dillagi

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Shikar (1968)

After all the melodrama of the recent Hindi films I’ve been watching, I decided it was time to sit back and enjoy one of my favourite genres: the thriller. And a thriller the way only the Bollywood of the 1950’s and 60’s could manage: with lots of romance thrown in, a gorgeously vampish Helen, hummable songs, a comic side plot starring none other than the inimitable Johnny Walker—and, interestingly enough, a supporting actor who manages to steal the limelight from the hero.

Dharmendra and Sanjeev Kumar in Shikar

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