I love it when blog readers suggest themes for song lists: it invariably provides food for thought. For instance, about a couple of years back, one of my readers, Ashish, sent me a mail with a suggestion: songs about people selling their wares (he was spurred onto that by listening to the song Zindagi hai kya sun meri jaan, in which Dev Anand is selling ice cream—the point being that the song is used as a means of promoting the wares of the seller). A very good post on songs like that had already been done by Pacifist (as a guest writer on Harvey’s blog), but it made me think: goods, after all, are not all that’s sold. Services, equally, are sold. And the service can be anything: from transportation to tailoring, from entertainment to—well, something rather more intimate.
This is an important year when it comes to Hindi film music—because 2019 marks the birth centenary of some of classic Hindi cinema’s greatest in the field of music. Music director Naushad was born a hundred years ago; lyricists Kaifi Azmi and Rajendra Krishan were born a hundred years ago; and two of Hindi cinema’s most popular playback singers—Manna Dey and Shamshad Begum—were also born in 1919, less than a month apart.
Born in Lahore on April 14th, 1919, the day after the horrific Jallianwala Bagh massacre in Amritsar (which is just about 50 km from Lahore), Shamshad Begum never had any formal training in music. Her prowess as a singer, however, came to the fore very early, and by the time she was 10 years old she was singing in family marriages and religious functions. In the teeth of parental opposition, she was helped by an uncle who got her an audition with Ghulam Haider. In 1937, she began singing with All India Radio Lahore, and this proved a breakthrough—such a breakthrough that Shamshad Begum was offered a role as an actress and even bagged it after a screen test. Thanks to a very conservative father (who had insisted she wear a burqa even to sing!), Shamshad Begum had to finally decline the role and focus on her singing.
Just a few weeks back, Anu published a delightful blog post which listed ten songs on the theme of ‘Kaun Aaya’: who is this who comes? A lover, a hope, the much-anticipated partner of one’s life. I commented on that post, liked it, liked the songs, moved on. And then, one day, happening to revisit Anu’s blog, I came across that post again, and it struck me: what about the answer to ‘Kaun aaya?’
Because there are many songs that could well be answers to the question. A name spelled out, or a description provided. The love of one’s life, or the bane of one’s existence. One person may ask, “Kaun aaya?”, and another may well have the answer to that.