One Voice, Two Faces: Ten of my favourite ‘one-singer-duets’

One playback singer sings for two (or, in some cases, more than two) people who lip-sync to the song onscreen. Within the same song, not two different versions of the song.

You’d have thought that wouldn’t be very common, given that a lot of our playback singers have had such distinctive voices that you wouldn’t expect two people in the same setting to be singing with that same voice. But then, reality and Hindi cinema have never been the best of friends; and anyway, there were probably other considerations: one singer is cheaper than two; it’s easier to get recording dates if you don’t have to juggle dates for two people; and all said and done, Hindi cinema is all about the willing suspension of disbelief. If three women (or four, or five) can all ‘sing’ in Shamshad Begum’s voice, so be it.

Continue reading

Trios, Quartets, and More: Ten of my favourite songs

When I was in school, all school functions—even, on special occasions, school assembly—would have one particularly talented child presenting a solo (the first time I heard Ae mere pyaare watan was in school assembly, sung brilliantly by a classmate of mine; her rendition made me want to listen to the original song because I guessed that if she sang it so well, what must the original be like?). For very special occasions, like the annual day, there would be a couple of solo performances. But the norm for school songs (most of which, by the way, were patriotic, with the occasional folk song here and there) was the group song. A choir, picked from those who could more or less hold a tune, had loud voices, and didn’t mind standing and singing Tu zinda hai toh zindagi ki jeet par yakeen kar while the rest of the school trooped slowly out of the assembly ground.

In contrast, ‘group songs’ in Hindi cinema tend to be relatively few and far between. Yes, choirs there are aplenty, singing for dancers, supporting actors, and so on—even, at times (Ajeeb daastaan hai yeh being a very good example) providing a certain magic to the song without which one now cannot imagine the song being complete. But the overwhelming bulk of Hindi film songs tends to consist of solos or duets. With, as I mentioned, a choir joining in now and then.

But how many good songs are there that have three (or more) well-established singers in them? Not ‘Rafi and Lata with chorus’, but ‘Rafi, Lata, Manna Dey, Asha Bhonsle’ (or along similar lines)?

Trios and quartets: 'Group songs' from Hindi cinema

Continue reading