One Voice, Two Faces: Ten of my favourite ‘one-singer-duets’

One playback singer sings for two (or, in some cases, more than two) people who lip-sync to the song onscreen. Within the same song, not two different versions of the song.

You’d have thought that wouldn’t be very common, given that a lot of our playback singers have had such distinctive voices that you wouldn’t expect two people in the same setting to be singing with that same voice. But then, reality and Hindi cinema have never been the best of friends; and anyway, there were probably other considerations: one singer is cheaper than two; it’s easier to get recording dates if you don’t have to juggle dates for two people; and all said and done, Hindi cinema is all about the willing suspension of disbelief. If three women (or four, or five) can all ‘sing’ in Shamshad Begum’s voice, so be it.

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Ten of my favourite funny songs

Considering the ‘comic side plot’ used to be such an integral part of old Hindi cinema—and that the presence of a Johnny Walker, a Rajendranath, or a Mehmood almost invariably meant that there would be not just laughs but also a secondary (light-hearted and often outright comic) romance, and at least one song picturized on the comedian in question. Oddly enough, then, there aren’t those many songs that I find outright funny. Even an iconic ‘comic’ song (or what most people seem to refer to as a comic song—Sar jo tera chakraaye)—is actually more philosophical than comic.

So I set out to compile a list of ten songs that are actually funny. Funny because of the lyrics, the rendition, the picturization—whatever (in some stellar instances, all of the above). These may not be songs that make me laugh out loud (I am not a guffawer, anyway), but they are songs that always make me smile rather more widely than usual. As always, these are all from pre-1970s films (except one) that I’ve seen, and they’re in no particular order. Just songs that I find funny. And—I hasten to add—which are intentionally funny.

Funny songs from Hindi cinema

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