A Johnny Walker film, but one that’s known for a lot else besides.
I always associate Bimal Roy with the Do Bigha Zameen or Parakh sort of film: deeply rooted in reality, both harshly real and heart-warmingly real. Stories about people like us, people with problems and joys like ours. His films are socially relevant ones that discuss issues like untouchability and corruption, poverty, alcoholism and the plight of those who aren’t economically or socially powerful enough to stand up for themselves.
Madhumati is the glaring exception, the extremely surprising entry in Bimal Roy’s filmography: a film that’s chockfull of everything one doesn’t expect of Bimal Roy. Reincarnation, spooks, multiple roles, atmospheric storms: one could almost think Ramsay Brothers. Thankfully, no; because Madhumati, though in a completely different genre than Bimal Roy classics like Sujata, Bandini, Do Bigha Zameen or Devdas, still bears the mark of a master craftsman. And it’s good entertainment value.