A simple-hearted—even outright simple, really—man turns out to be the look-alike of a much-wanted criminal. As a result, the police train him to impersonate the criminal so that they can get enough evidence to crack down on a web of crime.
I have no idea if Don (1978) was inspired by Mr India. Don is in many ways a very different film (the criminal, for one, dies fairly early on in the proceedings; for another, it’s a much more complex plot): but there is that fleeting resemblance.
Mr India begins by introducing us to Gullu (IS Johar), naïve and simple, as he goes about job-hunting, and getting rejected at every office because he doesn’t fit the regional profiles demanded by the parochial employers of these places. Gullu gets briefly hired by someone who wants to rig a ‘Mr India’ weight-lifting competition, with Gullu pretending to hoist what is actually wooden dumbbells rather than iron.
For many years now, I’ve been fascinated by what I call the ‘supernatural’ subgenre of Indian suspense films. Offhand, I can’t recall too many [any?] non-Indian films that used a supposedly supernatural theme to veil what was a definitely corporeal, criminal deed. Yeh Raat Phir Na Aayegi, Mahal, Woh Kaun Thi?, Bees Saal Baad, Poonam ki Raat, Anita—all of these (and plenty more) used tropes such as spooky songs, ‘ghosts’ (invariably women in white), mysteriously creaking doors, swinging lampshades and seemingly haunted havelis, all forming part of a grand plan to convince someone that they were surrounded by bhoots when in reality they were surrounded by crooks.