In which Joy Mukherji single-handedly (with some help from the snow-clad Himalayas) defeats an invading army of Chinese guerrillas, thus lending a whole new meaning to the phrase ‘humsaaya aasmaan ka’.
Because my Ravi tribute was swiftly turning into a Joy Mukherji tribute – and because I thought Joy merited a tribute all his own – I decided to do a Joy Mukherji post. My intention had originally been to review a Joy Mukherji film – until I realised that I’d already reviewed all my favourite Joy starrers.
Joy Mukherji (Feb 24, 1939-Mar 9, 2012) was the son of Shashadhar Mukherji, one of the founders of Filmalaya. Filmalaya, therefore, was the company which launched Joy in the 1960 film Love in Simla (which also marked the debut of Sadhana). Of all the aspiring young actors who tried to emulate the vastly successful Shammi Kapoor in the 60s, the tall and handsome Joy Mukherji was probably the best at projecting some of the effervescence, the joie de vivre, and the sheer attractiveness that made up Shammi’s onscreen persona. Where Shammi danced up a storm with Aaja aaja main hoon pyaar tera, Joy was joy personified with Duniya paagal hai. While Shammi oozed romance with Ae gulbadan ae gulbadan, Joy was tender in O mere shaahekhubaan, seductive in Aa jaa re aa zara aa.
You will be missed, Joy. Sorely.