Burmah Road (1962)

If you are an aficionado of old Hindi film music, you can probably guess why I wanted to watch this film: it has some really good songs, courtesy Majrooh Sultanpuri and Chitragupta (who should probably head the list of seriously underrated music directors). There was, in my case, another reason, a slice of family history. During World War II, when the Japanese invaded Burma and thousands of Indians had to flee the country, my uncle Col KC Datta (my father’s sister’s husband) was one of the Indian Army officers tasked with helping refugees cross those many miles of jungle into India. It was a hair-raising experience; my uncle caught kala azar on the way, but managed to complete the task.

What might Burmah Road be about? I did not really expect that it would be about that epic trek my uncle was part of; but perhaps something about the Burma campaign? Or about the INA in Burma, à la Pehla Aadmi? If none of that, at least something like Aadhi Raat ke Baad or Howrah Bridge, set partly in Burma?

Nope. Nothing like that. Burmah Road in this film is the name of a principality, and it’s not very clear exactly where it is. It is ruled by a king (Chaman Puri), whom everybody refers to as His Highness Burmah Road. This king has a young son, and is very worried about the future of this child, as well as of Burmah Road.

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Aandhiyaan (1951)

In 1951, fresh from the success of the Dev Anand-Geeta Bali-Kalpana Karthik starrer Baazi, Chetan Anand decided to make a film that would highlight the very interesting aspects of film-making he had been learning from studying the works of various European directors. ‘Based on a true incident that took place in Amritsar’, as the film’s credits read, the story of Aandhiyaan was written by Chetan Anand himself, along with Hameed Butt.

The film’s credits roll to an unusual sequence of shots: in each frame, one actor or the other is shown, battling the eponymous ‘aandhi’ or storm, though in this case literal rather than metaphorical.

The story is centred round a young and zealous lawyer named Ram Mohan Kapoor (Dev Anand). Ram lives upstairs from his munshi (Ratan Gaurang), whose daughter Rani (Nimmi) has long been in love with Ram, though she’s too shy to let him know that. When the story begins, Ram’s mother (Durga Khote) is due to arrive, and Ram is getting ready to go to fetch her from the station. Rani makes tea for him, and an excited Ram confides in her: he’s asked his mother to come because he wants her to fix a match for him. With a girl he likes a lot.

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Humsaaya (1968)

In which Joy Mukherji single-handedly (with some help from the snow-clad Himalayas) defeats an invading army of Chinese guerrillas, thus lending a whole new meaning to the phrase ‘humsaaya aasmaan ka’.

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