Book Review: Balraj Sahni: An Autobiography

I have Richard, over at Dances on the Footpath, to thank for this. Several years back, Richard had linked a blog post to a URL from where one could download Balraj Sahni’s autobiography. Since I’m a fan of Mr Sahni’s, I did so, promptly (which was just as well, since sometime later, that link went dead). What with this and that, however, I didn’t get around to reading the book until a week or so back—and then I wished I’d taken the time to read it earlier.

Balraj Sahni in Anuradha

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Neecha Nagar (1946)

I am a bit of an iconoclast. Maxim Gorky’s play The Lower Depths, while considered one of the great classics of Russian literature, left me cold when I read it. To me, it seemed too cluttered with characters, too devoid of plot, and just—well, without anything that would make me want to go back to it all over again.
So I approached Neecha Nagar—Chetan Anand’s debut film as a director—with a good deal of trepidation. Because Neecha Nagar was inspired by The Lower Depths, and I expected something horrendously morbid and impossible to understand without the benefit of footnotes.

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