Dev Anand: Ten Songs, Ten Voices

The very first Hindi film song I remember watching was a Dev Anand one. I was nine years old, and the film was CID. The film had already had a couple of songs (Boojh mera kya naav re, Leke pehla-pehla pyaar) that featured him, but when Aankhon hi aankhon mein ishaara ho gaya came on, it cast its spell on me. I was completely bowled over, and from then on, was a starry-eyed Dev Anand fan.

Over the years, as I’ve become older and wiser (more cynical?), the love for Dev Anand has been tempered somewhat. I don’t like the mannerisms, the exaggerated drawl and pout, the puff of hair, and the larger-than-himself persona he took on once he became a superstar. I find him a bit embarrassing in later films, from the 70s onward, where he’s trying desperately to appear much younger than he really was.

But, in his heyday, I think there was nobody to rival Dev Anand in the charisma department: nobody as suave, as charming, as watchable. And, as if that wasn’t all, his films always had great music. About 90% of my favourite songs as a teenager were from Dev Anand’s films. Munimji, CID, Nau Do Gyarah, Guide, Solvaan Saal, Kaala Paani, Kaala Bazaar, Baat ek Raat ki, Teen Deviyaan… one wonderfully entertaining film after another, one great song after another.

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Roop ki Rani Choron ka Raja (1961)

In 1956, Waheeda Rehman made her debut in Hindi cinema in CID, with Dev Anand (Waheeda wasn’t the heroine of CID—Shakila was—but she had a good and somewhat offbeat role as the vamp with a heart of gold). Over the next decade and a half or so, Waheeda and Dev Anand were to go on to act together in several more films, probably their most famous pairing being in the hugely popular Guide (1965).

I have watched, as far as I know, all of the Waheeda-Dev films over the years. The only one that (again, as far as I know) I hadn’t watched yet was this one. Time, I decided, to make amends for that.

As in many other films of his, Dev Anand in Roop ki Rani Choron ka Raja is a crook—a thief, to be precise. We are introduced to Chhagan (Dev) when he’s in a shady-looking dive, buying a bottle of booze. Shortly after, Chhagan is accosted by ‘Langad Deen’, a partly-crippled character (played by Jeevan), who has a bit of news for Chhagan: a steamer is about to begin the journey down the river to the pilgrimage spot of Shivsagar. Langad Deen has it on authority that among the people on board is a wealthy jeweller who is carrying a very valuable diamond to be offered up to the god Shiv at Shivsagar.

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