Daaera (1953)

From one birth centenary to another.

Less than a week after Chitalkar Ramachandra was born in Maharashtra, on January 17, 1918, in the town of Amroha (in north-west Uttar Pradesh) was born, into a wealthy family of landowners, Syed Amir Haider Kamal Naqvi. Syed (or Kamal, as it probably more appropriate to refer to him) began writing Urdu stories at a young age and harboured a dream of making them into films—a dream quickly shot down by a father who did not think cinema a worthwhile profession. Faced with the prospect of having to manage the family’s estates, the 16-year old Kamal sold his sister’s gold bangles to finance his clandestine escape to Lahore. Here, he continued to write stories while studying (at Lahore’s Oriental College) and by managing to have some of these published, was able to finally save up money enough to travel to Bombay.

In 1938, when he was just 21 years old, his story Jailor was adapted to the screen by film-maker Sohrab Modi.

And that was how Kamal Amrohi made an entry into the Hindi film industry. This was the man who would write perhaps the most memorable Urdu dialogues of any film in Hindi film history (Mughal-e-Azam). This was the man who made what is arguably the finest and most memorable Muslim social in Hindi cinema (Pakeezah). This was the man, too, who—even though he directed only five films—made a mark for himself with those films, three of them (Mahal, Pakeezah and Razia Sultan) becoming pretty much cult classics.

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Shama Parwana (1954)

This film stars Shammi Kapoor.
If you like Shammi Kapoor, do not watch this film. If you are a glutton for punishment and want to see it anyway, do not watch the last ten minutes. I can guarantee that you’ll be happier for it; you can decide for yourself what you would have liked the end to be, and spare yourself the trauma of sitting through what is definitely the most horrifying end I’ve ever seen in a Hindi film.

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Aurat (1953)

I’m very fond of Bina Rai. I’m also a fan of Premnath in his pre-paunchy days. And a film that starred both of them? I didn’t even bother to try and find out what it was all about. So, when I began watching it and saw this, it made me sit up a bit:

Credits of Aurat (1953)

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