Ten of my favourite bhanwra songs

Late February and early March are, to me, the best season in the Delhi NCR area. Our (alas all too brief) spring is a lovely time: cool, the sunshine just right, the breeze pleasant—and flowers all round. In our housing society, spring is especially exuberant because the local Residents’ Welfare Association invests heavily in our society gardens: this time of the year, every path, every patch of grass, is lined with flowerbeds crowded with petunias, daisies, hollyhocks, stock, pansies, snapdragons… I could go on and on. It’s a riot of colour and fragrance.

And bhanwras. The carpenter bee, glossy and black and so easily visible, is everywhere right now, sipping at the hollyhocks and the dahlias in particular (in our society’s garden). Its size and its blackness makes the bhanwra look a little intimidating, but the males (which are aggressive) don’t have stingers and so cannot really harm you, and the females (which do have stingers) will generally sting only in retaliation if you disturb them. Usually, if all you’re doing is standing by and admiring one getting its nectar from a flower, they’ll leave you alone.

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Ten old Hindi films I’d recommend

This post came about because of my recent review of Rangeen Raatein. Another film-lover, an American, noticed that post and said that she thought it was time she began branching out into watching Hindi cinema too (she’d already seen a good bit of Satyajit Ray’s work). She thought she’d begin with Rangeen Raatein. I was quick to dissuade her, of course—even I, die-hard Shammi Kapoor fan that I am, probably couldn’t stomach a rewatch of that film.

But it made me think: if I had to introduce a newcomer to Hindi cinema (or, more specifically, pre-70s Hindi cinema, since that’s what I love most), which films would I recommend? They would have to be films that are available with English subtitles, of course.

So here it is: my list. I do not claim that these are the best Hindi films of that era; by no means. They just happen to be ten of my favourites. These are in no particular order.

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Charulata (1964)

… and some random comparisons with Sahib Bibi aur Ghulam.

This Satyajit Ray film had been lying in my to-watch pile for a long time. Then, I learnt a few days back that the Indian government had finally decided to award a Dadasaheb Phalke to Soumitra Chatterjee for his contribution to Indian cinema. Better late than never, I guess (even though a number of people have said that it’s too late). The announcement, however, did give me a solid reason to watch Charulata (aka The Lonely Wife). And I ended up wanting to hit myself for not having seen this masterpiece earlier.

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Ten of my favourite Waheeda Rehman songs

What made Bees Saal Baad such a good watch was its music, its fairly good suspense – and its lovely heroine.
Waheeda Rehman had it all: an immense amount of talent, a rare beauty, a grace and dignity that few possess – and she was a superb dancer. What’s more, as I discovered in a TV interview a couple of years back, she’s also very modest. “When I was a girl, my siblings would call me the ‘ugly duckling’”, she said. A flash of that trademark smile, and she added, “The camera was very kind to me.” As fellow blogger Sabrina Mathew remarked when I recounted that on her post, “I want that camera!”

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Sahib Bibi aur Ghulam (1962)

After all the lightheartedness of the past few posts, time to get back to serious stuff. I had three none-too-cheery films lined up: Khamoshi, Andaz, and this one. Sahib Bibi aur Ghulam had been popping up in some recent posts (one song was part of the daaru list, and a discussion on Jawahar Kaul—one of the leads in Dekh Kabira Roya—ended up with a general wondering of what role he played in Sahib Bibi aur Ghulam). So Sahib Bibi aur Ghulam it was, a rewatch of a memorable film with some fine performances and superb music.

Meena Kumari and Rehman in Sahib Bibi aur Ghulam

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