I have been wanting to watch this film since 1985.
That was the year, while watching Chitrahaar on Doordarshan, that I first heard (and saw) Chaand bhi koi deewaana hai. My sister and I, who loved old Hindi film songs even back then, used to keep a blank VHS permanently cued to record every time Chitrahaar came on, so we recorded this song—and over the years, I watched it so often that I memorized the entire song without ever having heard it anywhere else. When the Internet became easily accessible, I spent ages looking for the song (and finally found it, audio only, a few years back). Since then, I’ve been looking for the film. VCD, DVD, even a grainy version on Youtube would do.
And finally, after countless tries, I got to see the film. When I sat down to watch Apna Ghar Apni Kahaani, I kept reminding myself: most of the films that I’ve watched just because of one good song (or more) have turned out to be duds. I shouldn’t expect much.
Surprise, surprise. Not only did Apna Ghar Apni Kahaani have some good music and a lovely Mumtaz, it was also quite a good film.
I had no particular film review or song list in mind for this week, but when Anu declared August Dev Anand month over at her blog, and Harini reviewed Duniya, I saw a bandwagon that I liked—and decided to jump on to it. With a film that reminds me of Duniya in some ways: Dev Anand, late 60s, suspense.
I saw a mention of this film for the first time on Richard’s blog a couple of years ago. Richard had mentioned that Dupatta (or Dopatta, as it’s referred to in some places) was available for viewing online. I’d stored away that snippet of information somewhere in the back of my mind, and forgotten about it later. Then, recently, Richard published an unusual (and interesting) post on his favourite filmi nurses, and Noorjehan’s character in Dupatta topped his list.
I am not – most decidedly not – nuts about red hearts and roses and all that bullshit. Really, if you love someone, you love them. And not just on February 14.
But, anyway, here’s my nod to the bandwagon. I’m not jumping on to it, mind you; just reviewing one of my favourite romance films.
So here we go. A Bimal Roy film that’s a must if you like romances.
With most films, by the time I see The End come up on the screen, I’ve more or less decided what I’m going to write about it, till which point I’m going to reveal the plot, and so on. With Haqeeqat, I’m still a little dazed. This is one of Bollywood’s earliest—and most realistic—war films, set against a backdrop of what was then the almost inaccessible region of Ladakh. It’s a blend of war and melodrama, propaganda and patriotism… and I’m not sure exactly what can be considered the main story of the film, since it actually consists of a number of stories woven into each other.