Early in 2013, to mark hundred years of Indian cinema, I dedicated an entire month to regional Indian cinema. I reviewed several films of different languages, and realized, in the process, just how difficult it is to get hold of old regional films that have subtitles. Even when they’re blockbuster hits, National Award-winning films, films that must have been subtitled at some stage to enable a jury to judge them worthy of a prestigious award.
Among the films that I came across, but which wasn’t subbed, was this extremely popular Punjabi film, which won the National Award for Best Feature Film in Punjabi, as well as the National Film Award for Best Music Direction. My husband’s a Punjabi but speaks the language very rarely, and that too when he has no other option (as a result, his Punjabi is pretty shaky). As for me, the less said about my Punjabi, the better. But I had this film bookmarked from 2013, and when I discovered last year that Nanak Naam Jahaaz Hai had been digitally restored and re-released, I thought I may as well take the plunge.
I watched two old Hindi films last week, both with a love triangle—of sorts—as a central plot element. The first film, Saheli (Pradeep Kumar-Kalpana-Vijaya Choudhary) was an indifferent, predictable, forgettable flick which crescendoed into high melodrama. This one, a rewatch, makes for more satisfying reviewing, since the story is more interesting, the cast is better—barring one glaring and painful exception—and the music is out of this world. Humraaz is a BR Films production and a fine example of the high entertainment value that characterises BR Chopra’s best films. Total paisa vasool.