Today is the birth centenary of one of Hindi cinema’s greatest lyricists, the very prolific and versatile Hasrat Jaipuri. Born in Jaipur on April 15, 1922, ‘Hasrat’ was named Iqbal Hussain, and took to writing poetry fairly early in life. In 1940, not even 20 years old, Hasrat moved to Bombay, where, though he attended mushairas and wrote (and recited) a good deal of verse, he was also obliged to take up a job as bus conductor. This job helped him make ends meet for the next 8 years, when Hasrat had the good fortune to be noticed by none other than Prithviraj Kapoor at a mushaira. Kapoor was so impressed by the young poet, he recommended Hasrat to his son Raj, who was then in the midst of planning Barsaat (1949). Hasrat was taken on to write songs for the film, and that was the start of a very long association with RK Films—Hasrat wrote lyrics for all of Raj Kapoor’s films for the next two decades and more, invariably alongside fellow lyricist Shailendra.
Today is the 68th birthday of one of my favourite actresses: Asha Parekh, beautiful, expressive, a fine actress and an excellent dancer.
Although she had worked in a handful of films as a child actress, Asha’s first onscreen appearance as an adult was an uncredited role in the Vyjyantimala-Kishore Kumar starrer Asha (1957). A year later, in 1958, she was billed in Dil Deke Dekho as ‘a Filmistan discovery’. And what a discovery! All through the 60’s, and into the first couple of years in the 70’s, Asha Parekh appeared in many of Bollywood’s biggest, most colourful, most entertaining films: Dil Deke Dekho, Jab Pyaar Kisi Se Hota Hai, Phir Wohi Dil Laaya Hoon, Love in Tokyo, Mere Sanam, Teesri Manzil…
So, in commemoration: a list of ten of my favourite Asha Parekh songs, all from films that I’ve seen. And, to prevent myself listing all the songs of films like Love in Tokyo, I’m restricting myself to only one song per film.
Happy birthday, Ashaji!