Mahabharat (1965)

I hadn’t heard of this version of the Mahabharat till a few days back (not, of course, that the existence of this film is surprising; given Hindi cinema’s love for mythology, there was bound to be at least one version of this epic floating about). Then, commenting on my jewellery songs post, blog reader Afsal posted a song from Mahabharat, and mentioned part of the cast: Pradeep Kumar as Arjun. Dara Singh as Bheem. Padmini as Draupadi.
And good songs.

That sounded deliciously unlike the usual B grade Hindi mythological, so I went looking for it on YouTube, and watched it.

I won’t narrate the complete story here; the Mahabharat is too well-known for that (and if you aren’t familiar with it, I’d advise checking it out first before watching the film). Suffice to say that the film begins right in the middle of some action, without setting any preliminary background in place. At the court of the blind King Dhritrashtra in Hastinapur, the entire court is watching the two cousins Bheem (Dara Singh) and Suyodhan/Duryodhan (Tiwari) engage in a wrestling match.

The wrestling match at Dhritrashtra's court

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Saajan (1969)

The other day, a fellow blogger, mentioning her distaste for Manoj Kumar’s films said that while she has “nothing against the man himself”, she really hates his films. I know what she meant (at least I think I do): I hate that insufferably xenophobic “all that is Indian is good, all that is Western is bad” philosophy espoused by films like Upkaar or, even worse, Purab aur Pachhim.
But I tend to shove that lot of films to the boundaries of my recollection of Manoj Kumar’s films. For me, his best films are the outright entertainers, the romances and suspense thrillers he worked in. Especially the suspense thrillers: Woh Kaun Thi?, Anita, Gumnaam—and this one.

Manoj Kumar and Asha Parekh in Saajan Continue reading