Our recent trip to Nainital prompted me (actually, even before we left on our trip) to read Gulshan Nanda’s novel Kati Patang. Gulshan Nanda, for those who may be unfamiliar with his work, wasn’t just a hugely successful writer of Hindi social-romantic popular fiction, but also a script writer for Hindi cinema: he wrote the scripts (many of them based on his own novels) of blockbusters like Saawan ki Ghata, Khilona, Kati Patang, and Jheel ke Us Paar. This insightful article about Nanda’s writing, as well as its adaptation to the big screen, is worth a read.
Tag Archives: Naaz
Bahu Begum (1967)
…which could probably have been more appropriately titled How to Jump to Conclusions and Mess up Lives. Or Never Trust a Sinister Mamu. This is one Muslim social – a genre I have long admitted to being very fond of – which has been recommended to me so often, I’ve lost track of the recommendations. On the one hand, I wanted to see it because it has some lovely songs; on the other, the thought of watching Meena Kumari in one of her last few films – well, that wasn’t something I was really looking forward to with anticipation. But all those recommendations tilted the balance.
Boot Polish (1954)
When I reviewed Les Quatre Cents Coups a couple of weeks back, I was mentally riffling through the list of good films with child protagonists that I’d seen. I couldn’t, sadly, think of many. There were some—The Night of the Hunter, Bhai-Bahen, Bandish, Do Kaliyaan, for instance—in which children played an important part. But these were either not really films about children, or they were films about stylized children: little adults, really, or oversized toddlers.
Then I saw Kaphal – Wild Berries, made by blog reader, fellow blogger and film maker Batul Mukhtiar (aka Banno), and thought: yes, this is what a good film about children should be like. (Here, on my website, is a review of Kaphal). I also remembered, then, that Banno had once recommended a film about children. The Raj Kapoor production, Boot Polish, which she’d reviewed on her blog, and which I’d never got around to watching. If someone who could make such a lovely film about children could recommend a film, that film would be worth watching.
So here we are. And, thank you, Banno.