Every now and then [with distressing frequency], I come across a film that, just by looking at its cast and crew, sounds mouthwatering enough. This was one of those. Saira Banu, when she still looked pretty. Joy Mukherji, still at the height of his career. Ashok Kumar. Motilal. Ravi as the composer. RK Nayyar as the director. Europe.
I hadn’t heard of this version of the Mahabharat till a few days back (not, of course, that the existence of this film is surprising; given Hindi cinema’s love for mythology, there was bound to be at least one version of this epic floating about). Then, commenting on my jewellery songs post, blog reader Afsal posted a song from Mahabharat, and mentioned part of the cast: Pradeep Kumar as Arjun. Dara Singh as Bheem. Padmini as Draupadi. And good songs.
I won’t narrate the complete story here; the Mahabharat is too well-known for that (and if you aren’t familiar with it, I’d advise checking it out first before watching the film). Suffice to say that the film begins right in the middle of some action, without setting any preliminary background in place. At the court of the blind King Dhritrashtra in Hastinapur, the entire court is watching the two cousins Bheem (Dara Singh) and Suyodhan/Duryodhan (Tiwari) engage in a wrestling match.
Today, September 26, 2012, would have been Dev Anand’s 89th birthday. To commemorate that occasion, I decided it was time to watch a film that had been sitting in my to-watch pile for nearly a year. Just looking at the cast and crew—Dev Anand, Madhubala, Lalita Pawar, Madan Mohan, Rajinder Krishan—and listening to some of the songs from the film made my mouth water.
After all the unhappiness over the past week or so – first Ravi’s death, and then Joy Mukherji’s – you’d think the last film I’d want to see would be one that starred the ultimate tragedy couple: Dilip Kumar and Meena Kumari.
But, thanks to Anu, who assured me that Azaad was loads of fun, I decided I should try watching this one. And yes, Anu: I loved it. Loved Meena Kumari’s pretty peppiness. Loved Dilip Kumar at his swashbuckling, handsome, thoroughly attractive self. Loved the smoke rings (almost perfect circles) that Pran blew. Loved Sai and Subbulaxmi’s awesome dancing. Loved C Ramachandra’s fantastic music.
The last time I visited my parents, my father lent me a couple of DVDs—old Hindi films (whose pa is he anyway?!) which he particularly likes. One was Ratan, which I’ve yet to see; the other was this. “Bhagwaan is hard to accept as a hero,” my father said. “But the music is C Ramchandra at his best.” I agree, on both counts. Watch Albela for C Ramchandra’s score. And yes, also for Geeta Bali at her loveliest and brightest.
Asit Sen directed some of my favourite films, including Mamta and Safar. I’ve just added another to the list: Anokhi Raat. I’d wanted to see this film for two reasons: one, it stars Sanjeev Kumar, who’s one of my favourite actors. Two, it features the classic Oh re taal mile nadi ke jal mein: a beautifully lyrical song in more ways than one. By the end, I had plenty more reasons to label it a great film. Read on.