I’ve had this film on my radar for a long time. I first came across a mention of it online about ten years ago, and since Guru Dutt had acted in so few films, I was curious about this one (which, incidentally, was also his last film). Back then, I used to subscribe to a video rental service, and having found Suhaagan on that, ordered it—and what I got was the absolutely execrable, horribly regressive Suhaagan that starred Geeta Bali [if ever I decide to draw up a list of Hindi films you must not watch, that Suhaagan will be on it].
The Guru Dutt-Mala Sinha Suhaagan, which several people on my blog have mentioned in the past (including fairly recently), and which I’d searched for on Youtube now and then, finally cropped up in Youtube’s recommendations for me. So I bookmarked it.
Inspirations to watch (and review) films come to me from all over. Friends and relatives are occasionally badgered to suggest genres; blog readers’ requests and recommendations (some of them, alas, long-pending) are taken into consideration. And, sometimes, I get inspired by the most outlandish of things. For instance, this film—which I first watched years ago, on TV—jumped to the top of my to-watch list because one day, while washing up in my kitchen, I was reminded of Mala Sinha.
[And no, not because I happened to be scrubbing a colander].
And besides that ‘one snake charmer, one bandit’ (and not a single snake, mind you)—there’s also one pretty lady, a nasty patricidal king, a ghost (who appears for all of one very short scene) and a trio of comic courtiers who go bananas trying to differentiate between their crown prince and an impostor. There’s also, to add to the fun, a variety of disguises. And a decent enough score by Usha Khanna, including the depressing hit song Hum tumse judaa hoke.