When I posted a Lata Mangeshkar tribute to mark the passing of the singer, I had thought I’d just focus on ten songs with ten different composers; but that, as it turned out, wasn’t enough. There were too many composers, too many good songs, that fell by the wayside in compiling that first post. So I ended up compiling a second, follow-up post, with ten other composers. In the process, I wound up with more songs, more composers than could fit in that second post.
Here, then, is a third list of solos sung by Lata Mangeshkar: ten songs, ten different composers. Of course, none of these composers feature in my two earlier lists. Also, these songs do not overlap with the ones on my very first ‘Lata in Ten Moods’ song list. As always, these songs are all from pre-1970s Hindi films that I’ve watched.
Hindi cinema has, over the years, borrowed liberally from English literature. Shakespeare (Hamlet, and in more recent years, Angoor, Omkara, Maqbool, and Haider), Agatha Christie (Gumnaam), Arthur Conan Doyle (Bees Saal Baad), AJ Cronin (Tere Mere Sapne): Hindi cinema seems to have drawn inspiration from a lot of authors, whether or not that inspiration has always been acknowledged or not.
Here, then, is another film derived from a literary work by a writer in the English language. Charlotte Brontë’s Jane Eyre, published in 1847, has spawned a number of cinematic adaptations (one of the first I ever saw starred Orson Welles and featured a very young Elizabeth Taylor as Helen Burns; one of my favourites stars the brilliant Toby Stephens as Rochester). In Hindi cinema, too, Jane Eyre was made into a film: Sangdil. I’ve been wanting to watch this for a while, and when recently I finally got around to reading the complete, unabridged version of Jane Eyre, I decided it was also time to watch the film.
Who would’ve thought that the Ramsay Brothers’ first production was a historical worthy of a Sohrab Modi [granted, it does have two far-too-chubby leading men and its fair share of violence, but still; Rustom Sohrab is no horror film, not by a long shot]? But yes, Ramsay Productions—famous for its B grade horror films of the 80s and 90s—did make this rather surprising debut, a film based on the Persian epic poem Rostam and Sohrab (part of the famous Shahnameh).