Lata Mangeshkar: Ten Solos, Ten Composers – Part 3

When I posted a Lata Mangeshkar tribute to mark the passing of the singer, I had thought I’d just focus on ten songs with ten different composers; but that, as it turned out, wasn’t enough. There were too many composers, too many good songs, that fell by the wayside in compiling that first post. So I ended up compiling a second, follow-up post, with ten other composers. In the process, I wound up with more songs, more composers than could fit in that second post.

Here, then, is a third list of solos sung by Lata Mangeshkar: ten songs, ten different composers. Of course, none of these composers feature in my two earlier lists. Also, these songs do not overlap with the ones on my very first ‘Lata in Ten Moods’ song list. As always, these songs are all from pre-1970s Hindi films that I’ve watched.

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Ten of my favourite Hindi film double roles

Some of you may know that besides being devoted to old cinema, I also watch a lot of modern Korean dramas. My love for K-dramas probably has something to do with the fact that the average Korean TV show has more than a passing resemblance to classic Hindi cinema, from star-crossed lovers (with one usually very wealthy, the other poor), to disapproving parents whom one cannot dishonour by rebelling, to hate-turned-to-love, and so on. They’re addictive, and though I don’t get the time to watch much Korean drama, I have enjoyed pretty much all I’ve seen so far.

The last K-drama I watched was the 2018 show, Are You Human? In this one, a brilliant robotics engineer is forced to leave the country after her husband (supposedly) commits suicide and their little son, Nam Shin, is taken away by her tyrannical father-in-law, who’s a very wealthy and powerful chaebol. The engineer, missing Nam Shin desperately, creates a marvel of AI, a robot designed to be exactly like her son. Twenty years pass, and Nam Shin, now grown up, is nearly killed in an attempted murder and goes into coma. To stop his company (he’s on the verge of inheriting his grandfather’s business empire) from sliding into the hands of baddies, his mother, along with a couple of friends, gets the robot to impersonate Nam Shin.

While the story was entertaining enough, what really struck me about Are You Human? was the acting of the male lead, Seo Kang Joon. The human Nam Shin is an abrasive, arrogant man who hides pain and trauma behind a façade of swagger and brusqueness. The robot Nam Shin is completely different: guileless, innocent, emotionless but with the rule to help humans hardwired into him. Two diametrically different personalities, and Seo Kang Joon played them brilliantly. It wasn’t as if these two characters looked different—they were identical—but Seo Kang Joon, just through body language and expressions (his eyes!), was able to show the difference between them even without dialogue. Brilliant.

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Ten of my favourite ‘Unusual Singer’ songs

By which I mean:

(a) That it’s the person who’s lip-syncing to the song (and not the playback singer) who’s unusual…

(b) and unusual because the actor in question is a well-known face, but doesn’t usually lip-sync to songs.

The idea for this post arose because of this wonderful post on Ashok Kumar’s songs, over at Ava’s blog. Ava drew attention to the fact that Ashok Kumar—one of the stalwarts of Hindi cinema, and with a pretty long stint as hero, too—rarely lip-synced to songs. In the post, another similar example was pointed out, in the case of Balraj Sahni: also a major actor, also a ‘hero’ in a lot of films, yet a man who didn’t lip-sync to too many songs.

That set me thinking of other people, other actors and actresses, who have rarely ‘sung’ songs onscreen. Not that they’re otherwise unknown; this is not a case of ‘Who’s that lip-syncing?’, but a case of people one generally doesn’t associate with doing too much singing onscreen. The leads of films (barring exceptions like Ashok Kumar or Balraj Sahni) are invariably excluded, because most songs end up being picturized on them. Major comedians, like Johnny Walker, Rajendranath, and Mehmood, also often had a comic side plot and a romance of their own, which allowed them to ‘sing’ often enough in films (have you ever seen a film that featured Johnny Walker and didn’t have him lip-syncing to at least one song?) And the dancers—Helen, Kumkum, Madhumati, Laxmi Chhaya, Bela Bose, et al—may appear in a film for only five minutes, but you could bet those five minutes would be a song.

Which leaves us with the somewhat more unusual people, the actors who played non-comic roles, character actors. Not stars, not dancers, not comedians. The Manmohan Krishnas, the Lalita Pawars, the other not-often-seen-‘singing’ characters. Here, then, are ten songs that are picturized on people not usually seen lip-syncing. As always, these are in no particular order, and they’re all from pre-70s films that I’ve seen.

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