Ten Composers, Ten Solos: The Magic of Asha Bhonsle

I know I am late. Asha Bhonsle passed away, at the age of 92, on April 12. Within a couple of hours of the news of her death, there were tributes cropping up all across the net. Song lists, essays, memories, some misplaced attempts to jump on the bandwagon even if one wasn’t too sure what the fuss was about.

I am late, yes. I have to admit I was a little benumbed—Asha has always been one of my very favourite singers (dare I be an iconoclast and admit that I liked her more than Lata?). But more than that, she symbolized for me an older, sweeter time: an era of kinder films, gentler films, of sublime music and innocence. Asha was the last of the stalwarts, the last one standing of those who had created the magic of the 50s and 60s.

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On Salil’s Music for Madhumati

Last week, a little late in the day, I posted a list of my favourite Salil Chowdhury’s Hindi film songs. A ‘little late’ because the music director’s 100th birth anniversary had been on November 19. I had hoped to be on time for this one, because Salil is a favourite of mine.

Anyhow. Though I was late to the party, at least I managed to post that list. And now, here’s another post I wrote, also on Salil Chowdhury. For Learning and Creativity’s Silhouette Magazine, an article on Madhumati (1958). Madhumati is a film I’ve reviewed earlier, on my blog, but this time I look at the film primarily through the lens of the music Salil composed for it. It was a score that brought him the Filmfare Award for Best Music Director (the film itself won a whopping nine awards, a feat unparalleled until Dilwaale Dulhaniya Le Jaayenge, 37 years later). And while Madhumati is a good film, I think Salil’s music for it plays a huge part in the film’s success, and its ability to hold its own even now, close to 70 years after it was made.

Click here to read the entire article.