Jaal (1967)

I had first watched this film many, many years ago, probably as a young teen. It had been aired on Doordarshan, back in the good old days when our family used to watch pretty much every film that was shown (including some seriously grotty ones like Fauji).

I remembered little of Jaal: Mala Sinha and Biswajeet, yes; and that it was a suspense thriller set in a spooky mansion beside the sea. That was all.

While I don’t like Biswajeet, and the music of Jaal (by Laxmikant-Pyarelal) is forgettable enough to not want to watch it for the songs, I decided I should give this one another try. At least find out what it’s about.

The story begins on a stormy night at sea. A small boat is tossed about on the waves, and we catch glimpses of the lone man on board: Sunder Singh (Sujit Kumar) as he tries to control his vessel. In the distance can be seen (like the boat and the waves, looking patently artificial) a lighthouse. Sunder, however, cannot make it safely to shore; his boat crashes against the rocks and explodes in a great burst of fire.

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Aankhen (1968)

I spent part of last week reading fellow blogger Todd Stadtman’s book, Funky Bollywood: The Wild World of 1970s Indian Action Cinema (more on that, along with a link to my review of it, at the end of this post). Todd’s book discusses, in affectionate detail, all the iconic action films—spy thrillers included—of the 70s. In a fit of enthusiasm, brought on by Todd’s book, I told my husband, “I want to see Gunmaster G-9”. To which he replied, “I didn’t like that. What I really liked was Aankhen. That was fun.”

Dharmendra in Aankhen Continue reading

Gustakhi Maaf (1969)

Happy New Year!

The other day, someone mentioned that after Omkara, Maqbool and Haider—based respectively on Othello, MacBeth and Hamlet—Vishal Bhardwaj was going to be making a trio of films based on Shakespeare’s comedies. The thought came into my head: had any Hindi film maker remade a Shakespearean comedy before? The very next moment, the answer popped up. Of course: Angoor. And (my brain was beginning to work overtime by now), another film based on A Comedy of Errors and also starring Sanjeev Kumar: Gustakhi Maaf.

I hadn’t heard of Gustakhi Maaf until a few years back, when I happened to find (and subsequently buy) a delightful lobby card featuring Sanjeev Kumar in this film. I went looking for the film, discovered that it was based on A Comedy of Errors and that it starred the ever-bubbly Tanuja—but I couldn’t get hold of the film anywhere. Until Harini (over at bagsbooksandmore) pointed me to it. So here goes: review #1 of 2015, of a fun, frothy film.

Tanuja as Asha and Seema/Asha in Gustakhi Maaf Continue reading

Kohraa (1964)

I feel that, no matter how high an opinion one may have of oneself, it is risky business to attempt to remake a classic. If (for example) Alfred Hitchcock made a film, don’t attempt to remake it—especially if you plan on tinkering with the way the story plays out. Biren Nag (who had already made the pretty good suspense thriller Bees Saal Baad) tried his hand at remaking Hitchcock’s atmospheric Rebecca here, and while he got some things right, the end result is not quite as memorable as Rebecca was.

Waheeda Rehman in Kohraa

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Ittefaq (1969)

Fact 1: Today, January 8, is Nanda’s birthday (mine too, but that’s a different matter).
Fact 2: Since one of Nanda’s finest performances is in Ittefaq, I’d decided I’d review Ittefaq today, as a tribute. Nanda deserves it!
Fact 3: Bollyviewer yesterday did an interesting post: a link to a youtube clip of the launch party of Ittefaq.

Mere coincidence? Perhaps.

And ittefaq, by the way, means coincidence.

Nanda in Ittefaq

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China Town (1962)

Like memsaab, I too am a diehard Shammi Kapoor fan. Which is why China Town—with Shammi Kapoor in a double role—is bonanza! Add to that good music and two gorgeous heroines (Shakila and Helen) against the backdrop of Calcutta’s Chinatown (well, a sanitised set version), and you have a movie that’s quintessential Shakti Samanta: very entertaining.

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