Composers sing for themselves: Ten songs

No, I don’t mean all those many renditions of Mae ri or Naina barse that one comes across, sung by Madan Mohan himself. I mean instances where a composer actually recorded—and it was included in the film in question—a song in his/her own voice.

This idea popped into my head one day when I was watching Baradari and came across a song that Nashad (the composer of the film’s score) sang in his own voice. It made me wonder: were there other composers, too, who had sung songs for their own films (I cannot, offhand, think of any composers—not also major playback singers—who have sung for other composers. SD Burman singing for RD Burman’s music is perhaps one of the exceptions). Of course, some names immediately came to mind: SD Burman, naturally, since I love his voice so much. RD Burman, who was also a good singer. Nashad, since his song had been the one that had sparked off this idea in the first place.

And, quickly, one after the other, more songs, more singers/composers, followed. So here it is, my list of ten songs that were both composed by and sung by the same person. As always, these are all from pre-1970s films that I’ve seen.

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Ten of my favourite songs of waiting

The idea for this post came to my mind when I’d finished writing up my review of Anirudha Bhattacharjee and Balaji Vittal’s Gaata Rahe Mera Dil: 50 Classic Hindi Film Songs. For me, one of the songs that was conspicuous by its absence from this enjoyable book was Tum pukaar lo, from Khamoshi. I love that song so much that I posted a Youtube link for it on Facebook—and found a lot of love for it among other friends and family members. A brief discussion with a friend, and we both agreed that it was one of those iconic songs of waiting. Out of that thread arose this idea: a compilation of good songs that are all about waiting.

Waiting, of course, can be of different types, and for different things. It can be a patient wait, for something one knows is coming one’s way. It can be restless, dominated by an urge to do something to alleviate one’s own suffering. Or the restlessness can be one of hopelessness, of knowing that one waits for something that can never come to be.

Aaja re main toh kabse khadi is paar, from Madhumati Continue reading

Ten of my favourite Dharmendra songs

Happy birthday, Dharmendra!

Considering I am so fond of Dharmendra (and I’ve reviewed so many of his films—including his debut film, the forgettable Dil Bhi Tera Hum Bhi Tere), it seems odd that I’ve never created a list of my favourite Dharmendra songs. Even though he did have a lot of good songs picturised on him. And he acted in some excellent films.

Born on December 8, 1935, in Sahnewal (Punjab), Dharmendra arrived in Bombay after winning the Filmfare New Talent Award. His first films weren’t huge successes: Dil Bhi Tera Hum Bhi Tere, Shola aur Shabnam, and Boyfriend were all flops, despite (in the case of Boyfriend) having an otherwise very popular lead pair. Within a couple of years, though, by appearing in hits like Anpadh and Bandini (in both of which, though, he didn’t have very major roles), Dharmendra began to be a known face—and was soon, by the mid-60s, one of Hindi cinema’s hottest (literally). He was to go on to become the ‘Garam Dharam’ of the 70s, but to me, the Dharmendra is the 60s hero: the quiet, sensitive poet of Anupama; the idealist of Satyakam; the dashing spy of Aankhen.

Dharmendra (in Shikar) Continue reading