Anu had started this month with a Dev Anand film—and I, following suit, decided I would review a relatively little-known Dev Anand film too, to begin August. But, while Anu’s kept up the Dev Anand theme all through August, I’ve meandered off in different directions, all the way from The Rickshaw Man to jeep songs. But solidarity among friends counts for something, doesn’t it? So here I am back again, with another Dev Anand film. The sort of film that, on the surface, looks like it’s got everything going for it: a suave Dev Anand opposite a very beautiful Waheeda Rehman (who, along with Nutan, was, I feel, one of Dev Anand’s best co-stars as far as chemistry is concerned). SD Burman’s music. Suspense. Some good cinematography.
Monthly Archives: August 2015
Ten of my favourite jeep songs
This post has been floating about in my head for a long time—at least, ever since I did a post on car songs (in which I’d mentioned pretty clearly that I meant only cars, not jeeps). When some readers began putting in jeep songs in the comments too, I figured I had to do a jeep songs list sometime. So here it is, after a long wait.
Unlike cars, which seem to be all over the place in Hindi cinema, being driven both through the countryside and in cities, jeeps are a little less ubiquitous. And there seem to be unwritten rules about who drives them (invariably men). And, more often than not, men in the countryside—preferably a hilly countryside. There’s that perception, I suppose, of the jeep being a rugged vehicle, one suited for rough roads and steep inclines: not the sort of thing a swanky imported car in 50s or 60s cinema would be able to handle.
Muhomatsu no Issho (1958)
Or, The Rickshaw Man.
I hadn’t heard of this film till a couple of months back. Around that time, looking at Toshirô Mifune’s filmography on IMDB, I came across The Rickshaw Man, and was intrigued enough to decide I must look out for the DVD. Then, as if destiny too wanted to help me along, I happened to read Ryūnosuke Akutagawa’s Rashōmon and Seventeen Other Stories. The stories—and Akutagawa’s biography at the start of the book—fascinated me. And when I read that one of Akutagawa’s sons grew up to be an actor, I went back to IMDB to see which films he acted in. And The Rickshaw Man was there.
As it turned out, Hiroshi Akutagawa doesn’t have a large role (though it is an important one) in The Rickshaw Man. But it was interesting to see this actor, whose father had written the two stories (Rashōmon and In the Bamboo Grove) on which Kurosawa based one of his best-loved films. And, of course, to see Mifune, who appears here as the epoymous rickshaw man, a poor rickshaw-puller named Matsu.
Restaurant Review: La Bodega
What’s better than a lunch date with someone who shares several of the same interests as you? Someone whom you can chat with about everything from the latest good book you’ve read, to the next film post you’re going to … Continue reading
Mahal (1969)
I had no particular film review or song list in mind for this week, but when Anu declared August Dev Anand month over at her blog, and Harini reviewed Duniya, I saw a bandwagon that I liked—and decided to jump on to it. With a film that reminds me of Duniya in some ways: Dev Anand, late 60s, suspense.



