Cat on a Hot Tin Roof (1958)

Less than two months ago, a couple whom I am distantly connected to by marriage were in town. The lady’s American; her husband is Indian, and they live in New York. We were chatting about this and that, and the lady told us an interesting story: of how, some years back, they had been invited for a party, the birthday (I think) of someone very wealthy and famous. They were just entering—my ‘relative’ in a lovely purple-blue silk ‘temple sari’—when they ran into Elizabeth Taylor. Ms Taylor had one look at that temple sari and wanted to buy it.
“She was willing to offer whatever sum I wanted,” my ‘relative’ recalled. “I couldn’t let her have it, of course. That was the sari I’d worn for my wedding reception; it had sentimental value… but it matched her eyes so completely.”

RIP, Ms Taylor. The lady with the violet eyes. The lady with the seven husbands. The lady who could set the screen on fire—both with her breath-taking beauty and her superb acting. Even though she’s no more with us (she passed away on March 23, 2011, at the age of 79), she will live on in her films, hopefully for many generations to come.

Continue reading →

Dahej (1950)

I’ve lost count of the number of Hindi films I’ve seen in which a bride is left at the mandap just because her family hasn’t been able to provide a massive dowry. I have no idea which was the first such film to be made, but V Shantaram’s Dahej is one of the early ones. And to be expected too, from a film-maker who was deeply sensitive to the many shortcomings in the society of his time.

Continue reading →

Ten of my favourite Sahir Ludhianvi songs

Among the most popular posts on this blog are my top ten lists of songs. They’re also among my favourites; old Hindi film music is one big, big reason for my watching these films in the first place. Which is why I’ve ended up doing so many lists of songs—for music directors (S D Burman, O P Nayyar), singers (Rafi, Mukesh, Hemant, Manna Dey, Talat, Lata, Mahendra Kapoor), even for actors (Madhubala, Asha Parekh, Johnny Walker). But lyricists tend to get left out. A song wouldn’t exist without someone to write the words, would it? So, a post honouring one of my favourite lyricists: Sahir Ludhianvi, on his birth anniversary.

Continue reading →

True Grit (1969)

This last Saturday, on a mere whim (brought on by a good newspaper review) I went off to watch True Grit. The 2010 version, starring Hailee Steinfeld in an Oscar-nominated role as Mattie Ross. It was a good film, in true time-honoured Western mould, with tinges of both feminism and noir. And it spurred me on to finally watch the original True Grit, the film that won John Wayne his only Oscar.

Continue reading →

Shagoon (1964)

Dare I repeat myself by admitting that one of the reasons I wanted to see this film was the music? Shagoon (which I think should have been spelt Shagun) combines Sahir Ludhianvi’s lyrics with Khayyam’s music, to stunning effect. But my other reasons for watching this film were equally valid. It stars the matchless Waheeda Rehman in the only film where she co-starred with Kamaljit, later to be her husband. What chemistry there must be here, I thought. Plus the film featured some of the most dependable character actors of Hindi cinema: Nasir Hussain, Achla Sachdev, Pratima Devi, Chand Usmani. This one had to be worth seeing, I thought.

Continue reading →

Classic Actresses on Postage Stamps

Nothing as expensive as what I bought myself for my birthday, but yes, I’ve just acquired something I really like. Last Sunday, I visited Indipex, the International Philatelic Exhibition, currently being held at Delhi’s Pragati Maidan. Not because I’m especially interested in stamps, but because besides the auctions and the exhibitions and the sales of stamps, India Post also had an important new release scheduled.

[Note: You can click each of the images in this post to see a large image].

Continue reading →

The Postman Always Rings Twice (1946)

I’d meant to review this film in time for Lana Turner’s birthday on February 8. But other things kept me busy, and what with trying to meet a deadline for my novel and write a short story before I lose the thread of it and watch an irresistible film (The Black Rose) which I’d just gotten hold of… well, better late than never. Belated happy birthday, Ms Turner! And RIP.

Continue reading →

Naujawan (1951)

My introduction to this film occurred when I was perhaps 12 years old. At the time, my sister and I relied mainly on Doordarshan–India’s sole TV channel way back then–for entertainment. A half-hour programme of Hindi film songs called Chitrahaar used to be among our favourite programmes. One day, on Chitrahaar, we saw Thandi hawaaein lehraake aayein. Both of us had heard the song before; one couldn’t live in the same house with a music-lover like my father and not have heard it—but we’d never seen it.

I don’t recall the exact conversation that followed, but I think I can paraphrase it pretty easily.

Continue reading →

Pyaar ka Sapna (1969)

The buy-a-film-because-of-a-song bug bites again. I’ve had this happen to me umpteen times, and the symptoms are invariably the same: I remember hearing a lovely song (generally back in the long-ago days of my childhood), and I think, if the music is so fabulous, what must the film be like? (Yes, a nincompoop’s logic, but what the hell). Sometimes, I discover on imdb that the film has a cast I like. Very occasionally, I even find that it has a director I have great faith in.

When a film, besides starring the beautiful Mala Sinha, also includes three more of my favourite actors—Ashok Kumar, Helen and Johnny Walker—and features a deliciously romantic song, I can’t not buy.

Continue reading →

Anne of the Indies (1951)

What with having watched the Fearless Nadia-starrer Baghdad ka Jaadoo (‘Magic of Baghdad’) the other day, I was in the mood for more swashbuckling ladies. This film, starring Jean Peters as a pirate, seemed—at first glance—to fit the bill. It turned, or so it appeared, well-loved pirate film clichés on their heads: the pirate is a woman, and a heartless one at that, who delights in making innocent people walk the plank. And no, she isn’t a female Robin Hood, actually on the side of justice. She even—in a neat twist of the usual pirate film—captures a handsome man.

Continue reading →